Tuesday, March 18 2014
Kevin Drew is emotionally unflinching, both on his songs and even during one-on-one discussions. A lot of people think his new album, Darlings, is about sex, but as our intimate chat proves, it goes deeper than that.
Monday, March 17 2014
This year’s SXSW Interactive keynotes didn’t headline 20-something social media entrepreneurs or garage tinkerers who’ve hit the big time or brilliantly polished C-suites sharing their vision of the future. The stars of the show this year were scientists.
Thursday, March 13 2014
They've been making albums since 1990 and have that rare distinction of being a band that has no two discs ever sounding the same. For their first album in years, the Notwist change things once again.
Wednesday, March 12 2014
Incubus' Brandon Boyd finds inspiration in numerous arenas, from Phish to UFOs and more. PopMatters attended the San Diego show of Boyd's Sons of the Sea project and spoke to the man himself to get his intriguing views on a variety of topics.
Monday, March 10 2014
The first edition of Mixtarum Metallum this year covers ten laudable metal albums released in January and February 2014 that we haven’t covered yet. So, without further ado, it’s time to get back to business.
Wednesday, March 5 2014
The ferociously hard working rockers from New York look poised to take over the world through an insane amount of touring and excellent albums.
Monday, February 17 2014
As the idealism of the ‘60s congealed into the malaise of the ‘70s, TV offered us small bands of forlorn humans in tight suits, roaming the stars. These are the “the starlost shows”.
Friday, January 31 2014
Catch an early glimpse at some of February's standout releases, including new albums from St. Vincent, Neneh Cherry, and the Notwist.
Tuesday, January 28 2014
One of the most compelling indie-rock titans out there today, the intriguingly-titled Rave Tapes proves to be yet another fascinating red herring, and the band tells us about the album's development, running a label with a cadre of artists, and oh so much more ...
Thursday, January 23 2014
Quentin Tarantino himself arguably wouldn’t have been so emboldened to make the Kill Bill films without that fire set forth by the Wu’s debut.
Wednesday, January 22 2014
Following some high-profile collaborations and soundtrack features, Sharon Jones and the Dap-Kings suffered through two deaths and a devastating cancer diagnosis. Jones talks about surviving such hardships and now, her most anticipated album to date.
Monday, January 20 2014
With Zion80, Jon Madof is not making a departure so much as a logical, if inspired, continuation of the ground he’s covered the past decade.
We speak with the intellectually-minded Jehnny Beth of Savages about gigs and the use of phones, while also discussing Throbbing Gristle, Alan Moore and Surrealist Manifestos.
Friday, January 3 2014
From the electro-dance of Daft Punk, Disclosure and Rudimental and the boundary-pushing R&B of Janelle Monae and John Newman to the warm sounds of Americana blossoming into the hippest sounds in American music and the always-compelling Kanye West, PopMatters counts down 2013's 75 best songs.
Tuesday, December 10 2013
What's going to be most often said or written about the year in country music, 2013? That it was the "year of the woman" in a Nashville that's still a man's world after all.
Jewel running, megalomania, acid rap, and sasquatches -- hip-hop continues to surprise in 2013.
Friday, December 6 2013
Eminent criminologists make a compelling case for why America's 40 year embrace of the punitive spirit has been morally bankrupt and endangered public safety.
Thursday, December 5 2013
In 2013, the best indie-pop felt like "secret music" meant for our ears only and, at the same time, like we're being pulled into a community.
Tuesday, December 3 2013
Following the US release of new Dexys album One Day I'm Going to Soar, Kevin Rowland talks about why it took so long to get back in the studio, the benefits of meditation, and why he's not your friend.
It's a generalization, but the year in indie rock saw a turn away from harmony-focused, gentle rock and back toward something a bit noisier, a bit more idiosyncratic, a little harder to ignore.