Monday, April 4 2005
how the 20th century made John Paul the Great.
Monday, February 28 2005
Condemning Jeff Gannon is the moment when everyone in the media jumped the shark, and decided that selling your body demanded your immediate exile.
The real question is not how a hooker got into the White House, but how the White House became such a low-rent brothel in the first place.
Monday, January 17 2005
Tensions between activists from Dr. Martin Luther King's era and young progressives 10 years later brought the Martin Luther King, Jr. Center for Social Change to a critical point. As an intern at a summer institute, Reynolds recalls that for him and his fellow progressives, they're formative experiences weren't the Cold War but the Vietnam War, not water cannons but Watergate. And now, 40 years later, how can Dr. King's lessons be applied to today's activists?
Wednesday, December 1 2004
Television continues to be a captivating window into our world, for better or for worse, and throughout all these shifts and events, PopMatters has worked to keep readers informed of what's going on in the strange universe of the boob tube.
Recognizing that it's never "just a game", PopMatters Sports delves deeper than the glossy magazines and highlight reels of your typical sports coverage.
from each section of the site -- pieces collected from five years of the sharp, incisive writing that has been the hallmark of the PopMatters standard.
For five years now, PopMatters has endeavored to expand the critical perspective on music. Taking full advantage of the Internet as a medium, PopMatters treats artist features, album reviews, and interviews as equally deserving of in-depth analysis.
One of PopMatters' youngest sections, Multimedia is an area coming into its own. Video games are a strong industry in the world of consumer products, and games for consoles, computers, and arcades continue to drive much of the development in interactive technologies.
PopMatters endeavors to bring its readers interviews with those groups and individuals responsible for producing some of the most interesting work in contemporary culture, from the famous to those working on the fringes
For the last five years, PopMatters has provided smart, literate film reviews, informative interviews, and insightful features that combine a knowledge of film history, cultural issues, and a sense of film as both an art form and an entertainment industry.
The center column of the site. The first thing you see when you open PopMatters. The large picture. The splashy headline. The Features section is where some of the most interesting and broad topics in the PopMatters array wind up.
Our crew works hard to bring PopMatters readers excellent reporting on the experience of seeing musicians ply their craft on stage. The tours they cover are often the names on the lips of critics everywhere, and our writers cut through the hype to present objective and analytical observations that expose weaknesses and uphold strengths.
While sometimes we may touch on the inner workings of the industry in order to emphasize a point or analyze how it affects a particular work, this isn't our primary concern. Instead, we focus on evaluating the work in a larger context, and trying to help develop the small but growing realm of intelligent comics commentary.
PopMatters cultivates smart writers/smart thinkers from the world-at-large. Our staff ranges from the multiple-degreed and/or world-traveled, to young writers of high caliber, to "seasoned" folks who punch the 9-5 clock, regardless of what type of degree, if any, they may hold.
Wednesday, November 24 2004
Maybe Sambo did die, but there's been a resurrection -- one worthy of a billion dollar industry -- and the opening segment of last week's Monday Night Football broadcast, the Vibe Awards ceremony that was broadcast the following night and the closing minutes ESPN's Friday night NBA game between the Detroit Pistons and the Indiana Pacers were proof that Sambo and the minstrel stage that so powerfully nurtured his existence are still alive and well and whetting the appetites of those desiring the 'real nigger show'.
Monday, November 1 2004
'The House that Ruth Built' has been through some changes, over the years. Like a grand ballroom in a mansion where the wealthy once came to dance, Yankee Stadium is now less imposing, more friendly, and open to the general public for viewing, providing one has a ticket.
Sometimes, the best way to really see a city clearly is through a bus window, smudged by the sticky hands of the toddler in his mother's arms, or through the crowd of people waiting with you on a non-descript platform at the light rail station. If you really want to know what Denver is like, leave the car behind, walk to a bus or train stop, make sure you've got change for the fare, then hop on board.
No matter that the coast is a mosquito-infested swampland and the region a well-worn corridor for house-destroying hurricanes, newly-created communities along this strip of eastern North Carolina attract wealthy retirees from the northern states. They come with their large sailboats, Lincoln Towncars, and an insatiable desire for golf. But when they emerge from their gated communities they rub elbows, so to speak, with the people who have lived here for generations; many accustomed to working 12 hours a day for minimum wage and no benefits.
Tohoku was forged into a regional empire by an audacious, 17-year-old warrior king: the perfect stage for a foreigner arriving with little more than vigor and passion, and the unrealistic hopes and uncertain certainties of youth. Yet characteristic of Japan, the people of Tohoku tend toward modesty and shun pretension; they tend to keep their place in the constellation of power and cultural relations well rehearsed throughout the archipelago. Or do they? No longer guaranteed a career, a way of life long known to their elders, Tohoku's youth show a robust affinity for individuality; for free-lancing in sport, and, at times, for pursuing a private, bohemian dream.