Thursday, November 13 2014
The veteran indie singer-songwriter discusses the past, present, and future of the Dismemberment Plan, how D'Angelo and Pearl Jam influenced their music, and what it's like to grow up making records.
Tuesday, November 11 2014
Margaret Brown chides at questions about being a female filmmaker, but that's nothing compared to the subjects of her film The Great Invisible, dealing with the personal toll that the Deepwater Horizon oil spill took on people's livelihoods.
Monday, November 10 2014
James Muschler, drummer for EDM and dubstep infused jazz trio Moon Hooch, discusses his group's new record, being shut down by the cops, and finding happiness in jazz.
Pink Floyd’s concept album The Wall is a key example of an artwork that the studies of the musical theatre are missing out.
Friday, November 7 2014
The bad boy of rock and the badass of metal. This is Nick Oliveri without a filter.
Thursday, November 6 2014
Joe Perry continues to just pick up that guitar and create songs and has no intention of stopping, proudly saying "I might as well put them out because I've got more coming!"
Wednesday, November 5 2014
After a comeback album last year, the funkiest group alive, Earth, Wind & Fire, decided to record a holiday album, and also open up about their legacy, performing for the President, and more.
Artists like OutKast and R.E.M. were first heard on college radio. As corporations take over these stations, what will it mean for artists and students?
Tuesday, November 4 2014
Jukebox the Ghost talk about their most collaborative album to date, how Rolling Stone begged to hang out in the studio with them, and their lack of knowledge about classic ghosts.
PopMatters caught up with Mike Farris at the 2014 Americana Music Festival. His work places him firmly in the legacy of soul greats like Sam Moore and Otis Redding.
Monday, November 3 2014
Following the release of their new album 48:13, Kasbian guitarist and producer Serge Pizzorno discusses ripping off the Silver Apples and ponders why, even now, people still aren't getting the joke.
For artists a big as Beyonce, U2, and Thom Yorke, the surprise album release model offers minimal risk and maximal reward. It's a paradigm that's sure to be replicated by others going forward.
Wednesday, October 29 2014
Many Jaxx fans were surprised by the relatively-straightforward nature of the duo's latest effort, Junto, but the way Felix tells it, it's a deliberately unexpected move from the Grammy-nominated duo.
Tuesday, October 28 2014
Picking up where the Fab Four left off isn't easy, but if one band has done it in the past 30 years, it's Toronto's Sloan.
Monday, October 27 2014
Buried deep in the emotional grain of Valery Gore's music, there is some semblance of order, some sense of undisclosed truths.
Thursday, October 23 2014
Cory Branan's brand of rocking country doesn't fit very well into music industry slots, but the Nashville-based songwriter is carving an idiosyncratic niche for himself regardless.
Wednesday, October 22 2014
New Grass Revival frontman John Cowan talks to PopMatters about the tricks of being a singing bass player, the new developments in folk music, and the career-spanning feel of his latest record, Sixty.
No matter what hat he wears as an artist, the impulse to voyage beyond defines Sting, as do the impulses that compel him to stay.
Tuesday, October 21 2014
Without room for doubt, uncertainty, and even self-hatred, the tyranny of Aspiration Culture prevails, and meaningful defiance is thrown out the window.
Monday, October 20 2014
The romantic sentiment that rock was better in the past and has, as they say, given up the ghost, is a charming but misguided notion.