Tuesday, February 22 2011
Horror film is the purest genre, as it taps into our emotions directly, without the pretense of art. "It never takes me long to get into character. It's a good thing that I have the type of job where your criminal record has no bearing on your success." -- Kane Hodder on playing Victor Crowley [Hatchet I & II]
Thursday, January 20 2011
Golden Age Hollywood scion, feminist activist, and general all-around bad-ass Jane Fonda is back, and this time out, she is hitting the campaign trail on behalf of the health of boomers and senior citizens. Fonda keeps Mazur on task and on his toes during this exclusive interview, preferring to focus on fitness rather than feminism or cinema.
Wednesday, January 5 2011
As the medium continues to struggle with significance in the steady "streaming" of the 21st Century, here are PopMatters' picks for the best the format(s) have to offer.
Sunday, November 21 2010
Veteran actor Lee Majors is back as Col. Steve Austin of The Six Million Dollar Man (complete series releasing on DVD), as the father to the role where he was once the son, in the upcoming film, The Big Valley and as a rather Colt Seavers-like character (of The Fall Guy) here at PopMatters 20 Questions.
Thursday, November 11 2010
At its best, López’s work engages in constructing a new vision where popular culture serves the interests of the poor and dispossessed, where humor is reignited within activism, and the D.I.Y. ethics of punk and hip-hop allow those with talent and gumption to be the media, once again.
Monday, March 15 2010
Mingling art house sensibilities with a knack for gripping suspense, director Ti West might just be able to get back to the roots of the cinematic horror and save the genre from itself – that is, if no one lets him go direct romantic comedies first.
Wednesday, March 10 2010
Michael Moore is back and this time around, the subject of his latest documentary is almost impossible to disagree with...especially since we are living with its consequences every single day.
Monday, January 18 2010
The animated series Cowboy Bebop is a blend of classic film noir motifs mixed into a futuristic setting that reverses the roles of gender and character.
Thursday, January 7 2010
Let's face it, when the content inside is less than meaningful, how better to market your particular movie than with plenty of digital packaging bells and whistles. Many of our 2009 choices reflect this strategy. Others are great all by themselves.
Thursday, November 5 2009
These five films from the golden-era of the legendary Nikkatsu studio shows off the never-ending ways Japanese filmmakers were able to combine the best elements of pulp and epic Japanese storytelling.
Wednesday, October 14 2009
Still riding high off of the success of their acclaimed documentary (and likely Oscar-nominee), the founders of Canada's famed metal trailblazers Anvil sit down to answer 20 Questions about family, weed, and a surprising love of Star Trek ...
Wednesday, October 7 2009
Through absurd humour, this show relentlessly disparages the wholesale futility of masculine posturing, useless products, and mindless modern entertainment.
Sunday, August 30 2009
Madeleine Martin reflects on a season of Californication that saw her character, Becca Moody, play an essential part in Hank’s slow transition to adulthood.
Wednesday, July 15 2009
‘Factory Girls’ and ‘The People's Republic of Capitalism’ give us a snapshot of the dramatic changes China is undergoing.
Friday, June 26 2009
Although it examines culpability and responsibility in service of truth and reconciliation, this film fails to address the structures of power, and arguably perpetuates the very atrocities that it sets out to condemn.
Monday, June 15 2009
The Boys in the Band defined a moment in LGBT history. Crayton Robey explores that history in Making the Boys, which debuted at the 2009 Tribeca Film Festival.
Thursday, June 4 2009
Again in the Eastwood oeuvre, a man who thinks he's in control, and especially around women, finds out he's not quite.
Wednesday, May 27 2009
La Grande Bouffe and Tales of Ordinary Madness are products of a dark worldview. Neither offers solutions about how to improve a disintegrating society.
Wednesday, May 20 2009
The 1934 Production Code’s puritanical stance towards sexuality is often highlighted by contemporary historians, but it also held extremely reactionary political mandates that forbade movie representations of conflicts between capital and labor.
Thursday, May 14 2009
Silver Jew follows David Berman with a camera during his first-ever trip to Israel in a documentary that covers not only the man and his music, but also his intensely personal spiritual journey.