Recent Features
Cannes 2016: The Verdict of ‘The Nine-Headed Beast’ (and the Verdict on the Verdict)

Cannes 2016 was distinguished by a range of strong films, but the decisions of this year’s Competition jury felt more politically than artistically motivated.

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Making Movies With Your Friends: An Interview With Director Joe Dante

Joe Dante wears his love of the movie industry on his sleeve, and he's quick to share his decades worth of insights with PopMatters.

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“To Make the Most of the Moments”: Interview with Filmmaker Suzanne Crocker

Suzanne Crocker and her family spent spend nine months in the bush in a small cabin with no electricity, no running water, and no clocks. She did however, bring a camera.

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All You Need Is ‘Love’: A Conversation With Film and Television Composer Lyle Workman

Lyle Workman discusses his self-surprising music career and how he now departs for unmapped terrain with the new Netflix series, Love.

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Hardcore POV: ‘Hardcore Henry’, the POV Shot, and ‘Let’s Watch’ Cinema

Is Hardcore Henry the start of something new or a repeat of failed past experiments?

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Formulating ‘The Hunger Games’ Part 2: Evolution of the Mockingjay

From Death Race to The 10th Victim, may the odds be ever in your favour!

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25 Nights With Some Movies That Caused a Temporary Ripple in the Buzz-o-sphere

From the importance (or not) of the comic book movies to films with avant-garde concepts, some beautiful, some unbearable.

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Formulating ‘The Hunger Games’ Part 1: When Books Catch Fire

Like The Hunger Games? There are a lot of similar books that you'll love. Think The Hunger Games stories are a rip off? Read on; the same applies.

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Of ‘Men & Chicken’: An Interview With Director Anders Thomas Jensen

Jensen once again teams up with his muse, Hannibal's Mads Mikkelsen, for a twisted comedic romp that is sure to have fans of black comedy squealing with glee.

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20 Apr 2016 // 3:00 AM

Kiss My Grit: 19th Annual Full Frame Film Festival 2016

Full Frame has that roughly perfect doc fest combo of grit and grits: viable texture, more heavy than fluffy, at times a bit cheesy, sometimes sweet, and always a worthwhile indulgence.

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There’s Music Coming From ‘The Last House on Dead End Street’

Having apparently blown $2,200 of his $3,000 budget on coke, Roger Watkins turned to what's known as ‘library music' to salvage a decent soundtrack.

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Murder for Two: Oedipal Death-Cycles in ‘The Eye of the Beholder’

Behm turns the detective novel first on its head and then sideways before shot-putting it across a terrain of Żuławskian terror; its film adaptation is an equally nerve-wracking descent into oedipal destruction.

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‘Hardcore Henry’ Tells Gamers Sorry, There Is No Princess

Hardcore Henry questions gamers' instinctual need to fulfill a particular role within the context of a presumed masculine identity.

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‘Disruptive Film’ Creates a Constellation Where the Past and Present Meet

One should approach this collection not unlike how Walter Benjamin approached collecting books: ".... not as dry, isolated facts, but as a harmonious whole..."

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Authority Issues: Questioning Authorial Control in the Films of Lars von Trier

Lars von Trier’s reputation rests on his ability to create and shape narratives of control, but has this approach always proven successful?

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Romeo + Juliet + Baz Luhrmann: Reconsidered

Baz Luhrmann's films are not subtle. So why do I like Romeo + Juliet so much?

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On Entertaining Terror: Film v Television

While United 93 was released "too soon" for viewers' comfort, a mix of critically derided films and critically acclaimed series continue to depict the age of terror.

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Lenny Abrahamson’s ‘Room’ Could Change Our Perceptions of Mental Illness

Few films explore abuse, mental illness, and post traumatic stress disorder as realistically and poignantly as Room.

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Time Only Makes the Cult Grow Stronger: Kids in the Hall’s ‘Brain Candy’

Brain Candy is considered the "darkest" chapter in Kids in the Hall's story. But dark is a part of their comedy and their appeal, so now's a good time to look at this film in a new light.

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How to Recover From the Batman v. Superman Debacle: An Open Letter to Warner Bros.

Batman v. Superman: Dawn of Justice is getting trashed. How can DC and Warner Bros. recover from this debacle? PopMatters' comics and movie scholar can help.

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More Recent Features
//Mixed media
//Blogs

Hitchcock's 'Suspicion', 'I Confess' and 'The Wrong Man' Return in Blu-ray

// Short Ends and Leader

"These three films on DVD from Warner Archives showcase different facets of Alfred Hitchcock's brilliance.

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