Recent Features
The Hunted and the Haunted in ‘King Stakh’s Wild Hunt’

Deeply baroque and shamelessly foreboding, Uladzimir Karatkevich’s King Stakh’s Wild Hunt is a crowning achievement of Belarusian gothic.

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The Big-City Drama of ‘Little Men’: An Interview With Ira Sachs

Ira Sachs on Little Men: "I don’t think this story could be told in 1880 as well as in 2016. People seem to be responding to the movie because they’ve lived it."

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Something Laika Phenomenon: An Interview With Travis Knight and Arianne Sutner

Laika's Travis Knight and Arianne Sutner break down new film Kubo and the Two Strings and the stop-motion studio's artistic philosophies.

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Freak Like Me: The Misunderstood Brilliance of Tom Green

Tom Green's brand of comedy allows viewers to embrace their own inner freaks.

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Juxtapositions of Beauty and Destruction in Michael Cimino’s ‘The Deer Hunter’

Unlike war films to follow, there's no post-war celebration to be had in The Deer Hunter.

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An Interview With Director Gillian Armstrong on Her Orry-Kelly Documentary, ‘Women He’s Undressed’

Armstrong discusses Orry-Kelly, the premiere costume designer of Hollywood's Golden Age, and stories from behind the scenes of classic-film sets.

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Separate But Unequal: ‘Pioneers of African-American Cinema’

Funded by Kickstarter, this five-disc set preserves and restores the most significant collection of "race films" on DVD and Blu-ray.

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New Additions to Netflix Worth Watching in August

Forget summer sunshine, PopMatters offers you several reasons to stay in the air conditioned indoors with these Netflix offerings.

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Moving Beyond the Dream Theory: A New Approach to ‘Mulholland Drive’

With doubles, strange coincidences and nightmarish elements, David Lynch shows us the reality of Hollywood living.

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The Lucas Museum Saga: Why Was This Museum Rejected by Chicago?

What made George Lucas such a cinematic visionary is also what’s making him less effective as a civic figure.

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From Curiosity to Denial: The Case of ‘An Open Secret’

The failure of An Open Secret to connect with a wide audience speaks to the persistence of denial when the perpetrators of child abuse populate the entertainment industry.

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‘Year of the Dragon’ and the Year When Michael Cimino Was Set Loose

Year of the Dragon’s biggest flaw is in being a perfect reflection of its filmmaker, and in that, it deserves to be seen as a messy, massive, achievement.

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Miles Davis’s Corporeal Score to Louis Malle’s ‘Elevator to the Gallows’

Davis's score doesn't articulate a narrative in this film; it provides a haunting, corporeal presence that refuses to assimilate to our efforts to find meaning.

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Les Durs and the Anatomy of the (French) Tough Guy: Gabin, Ventura, and Belmondo

At Les Durs (The Tough Guys) Film Fest, the tough guy is a bulwark against decay; he's the guarantor of value -- even if that value is compromised by the world around him.

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The Summer of De Palma: Looking Back at a Master Filmmaker’s Career

Following the release of Noah Baumbach and Jake Paltrow's document on the eponymous director, the legacy of Brian de Palma's extensive and controversial filmography is given renewed attention.

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‘Fright Night’ Revisited: The Dubious Pleasures of the Vampiric Remake

The original Fright Night is a cult classic of the '80s horror genre; the remake features a classic Anton Yelchin performance.

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Beautiful Lies and False Gods in ‘Batman V Superman: Dawn of Justice’

Zack Snyder's film interrogates two primal drives in American culture through the top characters of the DC pantheon: fear and its trauma (Batman) and naked power and its ambiguities (Superman).

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One Shot: Remembering Michael Cimino’s Masterpiece, ‘The Deer Hunter’

The Deer Hunter gets war, yes, but it also nails the beautiful, if banal simplicity of working class existence.

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29 Jun 2016 // 2:15 AM

The Power of Bullshit in ‘McCabe & Mrs. Miller’

In McCabe & Mrs. Miller, the 1971 western directed by Robert Altman, bullshit seems like the stuff empires are built on, but as we quickly come to find out, it can also turn to quicksand.

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Wim Wenders’ Road Movies as Journeys of Disaffection

With his "Road Trilogy", Wenders suggests that to find our place, we must be displaced.

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More Recent Features
//Mixed media
//Blogs

Virtual Reality and Storytelling: What Happens When Art and Technology Collide?

// Moving Pixels

"Virtual reality is changing the face of entertainment, and I can see a future when I will find myself inside VR listening to some psych-rock while meditating on an asteroid.

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