Recent Features
Melvil Poupaud Reflects on Director Éric Rohmer and His Film, ‘A Summer’s Tale’

A Summer’s Tale is a rich snapshot of youth and the hopefulness contained in the realization that the world is nothing if not endless possibilities.

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“Capital’s” Critique of Global Capitalism Is Sage but Dispassionate

Capital offers a savage critique of capitalism and the banking industry, but it fails to imagine its ability to sustain its inhumane and self-destructive practices.

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Religion and Biological Limits in Post-Humanity: ‘Her’ and ‘Transcendence’

Post-humanism, transhumanism, and the stakes of religion in the digital age intersect in Her and Transcendence, hinting at radical societal change to come.

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In Defense of Ann Hornaday, No Matter What Judd Apatow and Seth Rogen Say

The Washington Post film critic wasn't wrong in wondering aloud about the impact Hollywood can have on the typical young male.

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The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.

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The Rise Fall and Rise of Marvel Comics on Film Part 2: The Road Out of Development Hell

The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?

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‘Anchorman’s’ Ron Burgundy: The Man, The Myth, the Media

Anchorman 2 is bigger, bolder, brasher and more bizarre than its antecedent, but it also gives a pertinent critique of the medium it has chosen to satirise.

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The PopMatters Summer Film Preview - June 2014

It's June. School's out, the kids are antsy, and Hollywood is serving up the spectacle. We'll get more Transformers, more Tom Cruise, more animated adventure, and a bit too much found footage.

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The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.

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From Love to Decline: Giving Evelyn Waugh a Sixties Spin

The Loved One gives viewers that "sick kick", and Decline and Fall of a Bird Watcher perfectly captures Waugh's tone of cruel, facetious, and lunatic whimsies.

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Bollywood and the Ballot: India’s Shimmery Election

Bollywood stars are essential to the cultural identity of India, but their involvement in the 2014 election have some questioning the wisdom of the "Bollywood-ification" of politics.

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‘Her’ and Masculinity in the Post-Digital Age

The ghost in the machine may have receded into the digital aether, but Theodore’s preconceptions about women have not.

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That Which Crawls Out of Speakers and Inches Along Your Nerves: Notable Film Scores of Early 2014

From Biblical epics to run-of-the-mill rom-coms, Notes on Celluloid takes a look at (and listen to) some of the strongest film music of 2014 thus far.

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The Gritty and the Real: Unpacking the Realism Trope in Superhero Films

The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.

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The PopMatters Summer Movie Preview - May 2014

It's that time of the year again. Time for the days to get longer and hotter and the moviegoing experience more complicated and chaotic.

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30 Apr 2014 // 2:15 AM

Making the Cut: The 17th Annual Full Frame Documentary Film Festival

This year, in addition to film reviews, we're honoring the unsung heroes of documentary filmmaking by exploring and celebrating what it is that editors do.

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Five Ways ‘Animal House’ Changed the World

Wherever the bar was set for '70s college parties, Animal House took that bar, broke it into kindling, and made a bonfire.

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The Little Joys (Not Pleasures) of Scopophobia: On Mystery Science Theater 3000, Vol. XXIX

From our fear of the culture industry emerges a new sense of self—a negative self to be sure, created from the fear of being hypnotized by one’s inferiors, yet a self less likely to get lost in the dark.

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Scorsese vs. Scorsese: Tales of Two Dreamers

The Wolf of Wall Street celebrates deception, whereas Hugo upholds the search for truth. Which worldview is Scorsese's?

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‘Blue is the Warmest Color’ Is Truly a Feast for All the Senses

What Blue is the Warmest Color demands of its viewers is to stop looking and start sensing, start engaging with cinema with all five senses.

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More Recent Features
//Mixed media
//Blogs

Country Fried Rock: Drivin' N' Cryin' to Be Inducted into the Georgia Music Hall of Fame

// Sound Affects

""If Drivin' N' Cryin' sounded as good in the '80s as we do now, we could have been as big as Cinderella." -- Kevn Kinney

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