Recent Features
“The Only Good Bug Is a Dead Bug”: ‘Starship Troopers’ and the Politics of Science Fiction

There's little a remake of Starship Troopers could add to the original's deceptively deep insights into the nature of social organization.

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The Ethics of Death-Defying Media

Furious 7's path to the screen is emblematic of the ways in which film and other media defy (and define) death as images develop lives of their own.

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Great Movies With Terrible Sequels: Laughable Sequels in Action

Not even the combined might of Superman, Batman, Predator and James Bond can save their respective series from sinking like an ocean liner into the Bay of Pigs!

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20 Apr 2015 // 1:10 AM

The World Is Ready for ‘Star Wars Episode VII’

All signs point to the upcoming seventh installment of Star Wars remediating the follies of the prequel trilogy and returning the series to its original glory.

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Still Life: The Portrait of Time in ‘Boyhood’

Boyhood sets itself the daunting task of reflecting the breadth of a human adolescence, but it instead reveals that it is in life's minutia that we find the most meaning.

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Laughing Through the Great Depression With ‘Sullivan’s Travels’

The real charm of Sullivan’s Travels is the way it exposes Hollywood’s mediation of the Depression and the trauma it inflicted.

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Death in the Land of Smiles

A recent biopic about the last executioner in Thailand explores the extremes between killing and redemption.

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2 Apr 2015 // 2:00 AM

‘Get Hard’ and Get Angry

The Left is veering uncomfortably close to the Right in its half-informed demonization of individuals and artworks, as response to Get Hard illustrates.

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Remember Death: Passage of Time Through Linklater’s Lens

Richard Linklater's Before trilogy is a rare work of cinema that lives up to the true spirit of memento mori: remembering that we all will die.

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‘The Voices’ Gets to the Very Essence of the American Nightmare

Disturbing, funny, alluring and repulsive in a uniquely American way that no one likes to admit, The Voices should trouble you.

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Farther Than You Think: Mapping the Noir Terrain

Rope of Sand, Dark City, and Union Station each extend the shadowy reach of film noir.

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The Narrative of the ‘Halloween’ Saga Gets Confused Over Time

The message of John Carpenter's Halloween is simple: "Evil is here!" To expect any sequel to enhance that idea is to miss the point.

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Horror Lurks Behind Every Door But Beware the Robin at the Window

As the red-breasted bird folds its wings from flight, it too portends things are less than all right... on Prom Night.

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Cinema Made in Italy, March 5th - March 9th 2015, Ciné Lumière, London

Mob comedies, reflective looks at wartime, and the Italian financial crisis are all under the gaze of the cameras at the Cinema Made in Italy season.

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12 Mar 2015 // 1:30 AM

The ‘80s Jazz Fads Return!

Two unique jazz phenoms of the Reagan '80s -- tapping guitarist Stanley Jordan and falsetto scatting legend Bobby "Don't Worry, Be Happy" McFerrin -- are back.

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Splitting Hairs (of Identity) in ‘Guardians of the Galaxy’

James Gunn's epic borrows from the mythologies of Star Wars and Indiana Jones, but its characters are on a much more contemporary quest for identity.

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Ambiguously Yours: The Late Works of the Late Otto Preminger

Hurry Sundown, Skidoo, and Such Good Friends welcome you to a world of crowded frames and uncertain tones.

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Great Movies With Terrible Sequels: Sequels so Bad They’re Scary

Sometimes the most successful and acclaimed films are marked and marred by the absolutely worst sequels imaginable.

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Spending Time with ‘Les Blank: Always for Pleasure’

Les Blank's intimate documentaries are staged when time slows and music, food, and community come together.

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The Hays Code Nightmare Has Come True. Ain’t That Grand?

The '30s era Hays Code limited significantly what artists could express and what audiences could see. Today's LGBT media has blasted through all that.

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More Recent Features
//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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