Friday, May 6 2005
Few filmmakers have sought so relentlessly to break down our concepts of projected images and words.
Friday, April 29 2005
Sir John Mills' life reads much like that of a character in one of his wartime films: average bloke succeeds through determination, hard work, and luck.
Friday, April 8 2005
Preston Sturges painted an America as out-of-control jalopy full of fast-talking cons, greedy rubes, snappy girls, and exasperated fat cats with cockeyed intentions.
Friday, March 18 2005
Teresa Wright demanded and earned respect.
One film at the festival boasting more established talents is The Ballad of Jack and Rose. Written and directed by Rebecca Miller (Personal Velocity), the
Thursday, March 17 2005
Days Four and Five: How the Other Half Lives -- From the US to Bolivia to the Philippines, these films journey through the slums and alleys of the world, contemplating those who dwell on the margins and the hardships they must endure.
Wednesday, March 16 2005
Days Two and Three: Hideous, Kinky -- There are, in fact, meaningful, compelling stories on offer here -- if one could only step away long enough from the plush confines of the VIP room.
Tuesday, March 15 2005
The Wendell Baker Story The massive gray halls of the Austin Convention Center stretch out in all directions. Taking up a full city block, the
Wednesday, February 23 2005
It's hard to envision Sandra Dee as an actual person. For so long, she was an icon, an emblem of virginal purity who seemed incapable of complexity, vulnerability, or even inner life.
Friday, February 11 2005
Over his career, spanning 25 years and 15 movies, Ray Harryhausen took to new heights the standards of stop-motion animation and optical compositing.
Monday, February 7 2005
It's no surprise then that when he passed away on 4 February 2005, Davis was yet a vital, energetic, and -- most importantly -- working actor.
Thursday, January 6 2005
A highlight of 2004 was the way documentary reclaimed a place on the big screen.
This past year's films are at once peculiarly individual expressions and easy to group by genre: studio comedies were funnier than usual; horror films were intriguing in concept but disappointing in execution; science fiction was undercooked.
Colgan loves the bewitching Buffy and eye-dazzling Peter Pan as well as the comic brilliance of the Office.
The dead returned to life during 2004, with Zack Snyder's mall-set remake and Edgar Wright's pub-set spoof.
PopMatters' Political Editor presents the most shameful moments of the year in the US media, from Star Jones' wedding to the embarassment of William Hung and the hypocrisy of Bill O'Reilly.
Great though it may have been to see Australia's longest running soap tackle issues beyond who's at the pub, the whole lesbian thing turned ridiculous with Skye's conflicts and Lana's perving on every woman in the Coffee Shop.
I seem to be in the minority by thinking that this last season of The Sopranos was boring. In fact, I found most of the past year on television to be unexciting. So I looked for treasures in hidden places.
Kuersten raves about the controversial director Lars Von Trier's condemnation of the hypocrisy of the New Testament in 2004's Dogville.
This annual ritual of looking back has rarely seemed so apt. As it turns out, a majority of the year's worthy films take up precisely this theme, treating the messy processes of memory and/or history as exercises in creativity, anxiety, and futility.