Recent Features
Digital Ghost: Director Apichatpong Weerasethakul Recalls Uncle Boonmee

Celebrated film director and visual artist "Thai Joe" talks to PopMatters about the cost of transmigration, hybridity and fantasy, as his Palm D'Or-winning Uncle Boonmee Who Can Recall His Past Lives finally bows stateside after traveling the long and winding roads of the international film festival circuit.

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Hatchet II: Interview with Adam Green, Kane Hodder and Tom Holland

Horror film is the purest genre, as it taps into our emotions directly, without the pretense of art. "It never takes me long to get into character. It's a good thing that I have the type of job where your criminal record has no bearing on your success." -- Kane Hodder on playing Victor Crowley [Hatchet I & II]

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Punk Rock? It’s a Black, Jewish, Southern Thang

Punk is no vacuum, no airtight, sealed white music form. It's a repository of culture -- magnetized, manifold, and chock-full of merit – that was, and is, impacted by Jewish, black, and Southern experiences.

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‘America Lost and Found: The BBS Story’: A Cinematic Open Road

America Lost and Found: The BBS Story leaves no doubt that BBS Productions was one of the most important players in a cinematic revolution. These seven films make a case for keeping the canvas wide and the road open.

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9 Feb 2011 // 9:00 PM

King Henry of Hollywood

Henry King's name isn't mentioned when critics start bringing up John Ford or Howard Hawks, and yet even his forgotten and little-seen works hold up better than many of his contemporaries.

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Raimi’s Last Hunt: A Brief Reappraisal of the ‘Spider-Man’ Trilogy

Sam Raimi’s Spider-Man trilogy is like his Evil Dead trilogy: the first entry is self-conscious, the second is more of a remake than a sequel, and the third is so different from the first two that it almost qualifies as a different genre.

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Missed Movies of 2010, Part 2: Life During Wartime to Wild Grass

In our second half of 2010's overlooked offerings, we champion West Virginia 'white' trash, a mafia musical, the goriest (and goofiest) spring break ever, a trip to a town called Panic, and one unfairly dismissed, should have been an Oscar nominee mainstream hit from Ben Affleck.

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31 Jan 2011 // 9:00 PM

Que Pasa, New York?

How do artists get their work done in other cities of the world? Where is it viable to live? It's probably silly to begin our investigation in New York. Just 30 years ago, New York was still opening its arms to the tired, poor, huddled masses of creatives. But now?

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Missed Movies of 2010, Part 1: 3 Idiots to Lebanon

In part one of our missed movies special feature, the staff looks at a wide variety of titles, from a creepy urban legend, a look at vampires, South African style, and the latest from greats like Mike Leigh and Robert Duvall, to documentaries of such famous (or perhaps, infamous) faces as Joan Rivers and Spalding Gray.

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The National Identity of Remote, Lethal Lands: the Australian Road Movie

Australian cinema has utilised the road movie as a means to express geographical concerns regarding isolation, suffocation and disillusionment with contemporary Australian life.

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What ‘Taxi Driver’s Travis Bickle Can—and Can’t—Tell Us About What Happened in Tucson

Imagine all of the elements contributing to Travis Bickle’s disintegration placed in the context of contemporary culture, with venom spewed 24/7. Imagine Travis Bickle – and Jared Loughner -- watching Fox News daily.

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A is for Axe: The Filmic Butchering of ‘The Scarlet Letter’

As is often the case with classics, what could have been a brilliantly updated film adaptation of The Scarlet Letter was consumed by the Hollywood machine that instead spits out a shallow and action-packed romp with a glossed-over ending.

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Saint Fonda in the Backyard: The Iconic Jane Works It Out

Golden Age Hollywood scion, feminist activist, and general all-around bad-ass Jane Fonda is back, and this time out, she is hitting the campaign trail on behalf of the health of boomers and senior citizens. Fonda keeps Mazur on task and on his toes during this exclusive interview, preferring to focus on fitness rather than feminism or cinema.

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Mighty Morphin’ Masterpiece: One Man’s Inexplicable Love for ‘Power Rangers: The Movie’

The Mighty Morphin’ Power Rangers TV series was after my time, and a passing glance at any given episode was enough to convince me that it was, well, 'stunted'. So why have I seen Power Rangers: the Movie five times?

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13 Jan 2011 // 9:00 PM

Rescripting the Western in ‘No Country for Old Men’

How the Coen Brothers' ostensibly faithful award winning adaptation of Cormac McCarthy's No Country For Old Men diverges from its creator's rather questionable politics.

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The Best Documentaries of 2010

A remarkable number of documentaries challenged basic assumptions about structure and representation, faith and truth.

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The Best Films of 2010

Among this year's winners include a fake documentary, a comedy about Jihad, a vampire story NOT dealing with tacky tween romance, a haunting hillbilly noir, and an elegant tale about clones. Not necessarily the usual cinematic suspects.

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The Worst Films of 2010

When Hollywood delivers the stink bombs, they are strident in their creative stench. Need proof? Just check out the ten titles below.

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Head Trips and Virtual Life in the Films of 2010

Many of 2010's best triumphed not by rejecting the artifice or fantasy of filmmaking or gaming or dreaming, but by hopping between worlds, ever beginning.

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Suffragette City’s Best of 2010 Cinema

What’s black and white and blue all over? 2010’s finest films. Suffragette City investigates all of the major awards categories, offering up choices that are about as far a field from the Hollywood/Oscar PR machine as one can get!

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More Recent Features
//Mixed media
//Blogs

Exposition Dumps Don't Need Dialogue in 'Virginia'

// Moving Pixels

"Virginia manages to have an exposition dump without wordy exposition.

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