Tuesday, November 12 2013
Whether we know it or not, our brain can pick up on the falseness of the 3D image if it’s not successfully tricked.
Friday, November 8 2013
Ender’s Game, like much post-9/11 sci-fi, reimagines the future as a violated past. But the object of its nostalgia is a worryingly exclusive white ideal.
Thursday, November 7 2013
It is to Orson Welles’ eternal credit that he is one of the few filmmakers — perhaps the only one — who actually got Kafka right.
Tuesday, November 5 2013
Martin Scorsese is a master filmmaker and often just as brilliant at incorporating music into his work. Nowhere have those skills shone brighter than in Goodfellas.
Friday, November 1 2013
This month we move further away from the popcorn summer towards the prestige titles as Award Season heats up. This month alone will see Matthew McConaughey and Alexander Payne vying for Oscar glory, as well as the return of The Hunger Games.
Thursday, October 31 2013
As Welles had created shadowy noir images in the war years, by the end of the war, he captured the cultural climate of the emerging postwar era in his underrated 1946 noir, The Stranger.
Tuesday, October 29 2013
As much as one can be entranced by the characters and enter the world in which they live, indie films ultimately invite you to reflect upon yourself.
Thursday, October 24 2013
The labyrinth structure of the film calls for the audience to be shown a solution, the potential 'centre' of the film.
Wednesday, October 23 2013
The Count’s long and many lives have terrified us with our xenophobia, anti-Communism, and fear of AIDS. What will he do to us next?
Wednesday, October 16 2013
James Bond and Batman -- both heartbroken men -- warily size each other up, then settle in for a long talk over espresso martinis.
Tuesday, October 15 2013
Could it be that Orson Welles was directing the films he was acting in even when he wasn't officially "directing" them?
Friday, October 4 2013
October sees the arrival of several Oscar contenders, including the story of astronauts trapped in space, a free man sold into slavery, an American boat captain vs. Somali pirates, and another skipper alone against the elements. Toss in the usual commercial suspects and you've got quite a movie month.
Thursday, September 26 2013
Turkey legs may take the place of hot dogs, but even in the Middle Ages—at least the version of it in films such as A Knight’s Tale—fans still do The Wave.
Wednesday, September 25 2013
For more than 50 years, she kept her secret. Now, in an amazing film, Beatles' secretary Freda Kelly shares her insights into the frenzy surrounding the band, the impact their career had on their families, and how working for the Fab Four changed her life.
Thursday, September 19 2013
The German silent film classic The Cabinet of Dr. Caligari (1920) eerily displays the same ideological ground as The Hunger Games (2012). In fact, they may be similar cultural markers of the consciousness of these respective civilizations, although they appeared during distant epochs.
Wednesday, September 18 2013
Being faithful to the original can require removing it from its context. It’s a necessary and paradoxical reversal.
Monday, September 16 2013
Maybe if one writes reviews like they're the only things that matter, the way Pauline Kael and Lester Bangs did, then writing reviews is enough.
Friday, September 13 2013
"If there was an obstacle, then we tried to overcome. I don’t like to say it just to be bold, but I think it’s always good to have situations of confrontation. And that is the only way to go about it."
Friday, September 6 2013
The preamble to Awards Season proper starts off with a collection of leftovers, a few failed tentpoles, some festival favorites, and at least two films centering on sex addiction and cannibalism. Now what does that say about September in general and specifically what Hollywood thinks you'll tolerate before the Oscar bait is unleashed?
Thursday, September 5 2013
The images of humans imprisoning themselves in The Walking Dead speak poignantly about a world in which walls seem like an answer to the threat of those masses of bodies on the other side.