Recent Features
‘In the Bedroom’ Highlights a Career of Risk-Taking

Mazur heads for coastal Maine, where the film was shot, for an in-depth look at the crown jewel in a career of amazing performances by Spacek. He also eats a lot of seafood, takes a hard look at ageism and discovers how location can inform an actor's work just as much as it can a writer's.

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“Good Country People”: Mid-Period Sissy Spacek and Middle America

In her second decade in the film business, Sissy Spacek could be found in mile-high brunette wigs singing at the Grand Ole Opry, working opposite some of the most celebrated men and women in film history, and of course, front and center at the Academy Awards.

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Sissy Spacek in the ‘70s: The Brilliant Light at the End of the Time Tunnel

No actress better epitomized the '70s than Sissy Spacek. She stands as the Me Decade personified, a beautiful if brutal, fragile yet ferocious combination of survivor, savant, and starlight.

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Giving Up the Ghost: Sissy Spacek’s Texas Legend

There’s something to being Texan that Sissy understands -- something about its vastness, how it’s part of both the South and the West, how it gives us that rapid speech with drawling vowels.

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The Archaeology of Comedy: Ancient Funnybones Found Intact

More valuable fossils have been unearthed from the strata of film history thanks to these Kino and Flicker Alley DVDs: a bunch of lost Keatons and one lost Roxie.

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It’s All Painting, in a Way: Interview with Filmmaker Patricia Rozema

What if I make the work that really, really touches people? And they feel, “Hey, my God, that’s genuine human emotion put out there for all the right reasons." I guess I am entirely an idealist. I believe that authentic communication can cut through.

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We Built Our Own World: Hans Zimmer and the Music of ‘Inception’

Zimmer reveals why he brought along Smiths guitarist Johnny Marr for the Inception soundtrack, how his relationship with Nolan works, and why the music was inspired by both David Bowie and mathematician Roger Penrose.

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Sequels We Were Unfairly Denied

While most moviegoers bemoan the glut of Hollywood sequels and remakes, City Slickers II: Coffee and Cake is just one of many unproduced sequels I wish we had the chance to see.

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Plan 9 for Ironic Appreciation: On B-movies, Riffing and Value-Added Irony

The RiffTrax line of DVDs reignites the enduring debate: Can something really be so bad that it's good?

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A Is for Actor, B Is for Band: Breaking the Stigma of the “Actor’s Band”

The public has long had an affinity for the strange and less than wonderful, and the concept of an actor recording a CD invariably brings up the ghosts of dead music careers past. So, bands that happen to include an actor/musician need to follow Beecake’s and Blue Gillespie’s example.

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24 Jun 2010 // 9:00 PM

Love, Tilda Style

Oscar-winner Tilda Swinton talks to PopMatters about a quiet, sophisticated melodrama set in a golden cage, Carlo Cracco-inspired gastro-porn, and the glint of cinematic gold captured in a still moment.

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Hitchcock’s Final Steps on the Path to Destruction

The path through destruction that they have walked, guided along by Hitchcock much like Virgil guided Dante in the circles of Hell, is what people remember most after watching Rear Window, Psycho, and Vertigo.

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Hitchcock 101: Day Eleven, 1969 - 1976

In his final three films, Hitchcock may have showed his age, but there are undeniable treasures to be found even in these lesser works.

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Sinister Footfalls on a Darkened Stair: Hitchcock and His Continuing Sphere of Influence

More than any other studio system director, Alfred Hitchcock has influenced an amazing international collection of postmodern movie makers.

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Hitchcock 101: Day Ten, 1963 - 1966

Today we’ll examine the last Hitchcock masterpiece, and begin our discussion of his slow denouement.

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Vampires vs. Werewolves: An Immortal Pop Rivalry

Pop culture thrives on rivalries, but few are as epic as the one between werewolves and vampires -- a rivalry which predates Twilight by, oh, some 60 years.

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Hitchcock, Haneke and the Psycho-Sexual Voyeur Apparatus

“The film knows that it is being watched, and yet does not know,” says Christian Metz. “The one who knows is the cinema, the institution..."

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The Primal Drive of Fear and Desire in Hitchcock’s ‘Vertigo’ and ‘The Birds’

Typical of Hitchcock, he does not provide answers in Vertigo and The Birds, rather, he demonstrates the inherent dangers of living with -- yet denying -- the dark psychic forces that control our lives from deep withing our subconscious minds.

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Hitchcock 101: Day Nine, 1959 - 1960

About 50 years ago Hitchcock followed his artistic masterpiece with two of the most important movies ever to emerge from Hollywood. Two very different pictures, each was to chart a course for an entire genre.

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Hitchcock 101: Day Eight, 1956 - 1958

Now entering his creative peak, Hitchcock revisited some older material, reinvigorating it with a global politics and a big budget grandeur.

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More Recent Features
//Mixed media
//Blogs

'Cube Escape' Is Free, Frustrating, and Weirdly Compelling

// Moving Pixels

"The Cube Escape games are awful puzzle games, but they're an addicting descent into madness.

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