Recent Features
20 Questions: Paul Ben-Victor

We learn at PopMatters 20 Questions that in addition to his acting skills, Ben-Victor has a knack for doing wild makeup designs and body art.

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Looking Back at ‘Back to the Future’

The most irreverent, knowing, daring and hippest time travel story of all time has, inevitably and fittingly, become a time capsule.

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To Kill the Sunflower: An Interview with Cory McAbee

Space is a lonely town, but there's only room for one song-and-dance sheriff in these parts, and his name is Cory McAbee, writer and director of the new space-western musical Stingray Sam.

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6 Apr 2009 // 10:00 PM

Waltzing with Wilco

As any experienced concert-goer knows, a lively audience can mean the difference between a lackluster event and a memorable night. Sometimes, it’s more important than the band's actual performance.

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The Aesthetics of Absorption: Truffaut’s ‘The 400 Blows’

In Truffaut, the camera works not to keep the viewer out of the constructed reality of the film but rather to draw the viewer into the artifice, to make the viewer complicit in its feigned reality

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Chok(ing) Onscreen and In Print

Whether served up on the page or on the screen, this is an intimate assessment of a twisted mother/son relationship with plenty of sardonic humor and scathing satire.

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The Power of Nines

1999 wasn't the only banner year in moviemaking. Believe it or not, you can go back to the years 1959, 1969, 1979, and 1989 and find fabulous film classics in abundance.

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Part 5: Toy Story 2 to Titus (November - December 1999)

On this final day of PopMatters' 1999 overview, awards season hype gives way to pure acting prowess and definitive directorial flair.

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Confess, Fletch

The Chevy Chase films shouldn't deter you from reading Gregory McDonald's masterful and often hilarious Fletch mysteries

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Part 4: All About My Mother to Sleepy Hollow (October - November 1999)

Outsiders and oddballs make up Part Four's formidable filmmakers, an idiosyncratic collection of dreamers and visionaries.

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Perfect Storms: The 11th Annual D.C. Independent Film Festival

On the first Saturday, I saw some 15 films, surviving on popcorn and a gallon of Diet Coke, bleary-eyed from taking notes by the light of my cell phone. By the time it was over, I had seen 35 -- a rewarding whirlwind.

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Part 3: The Sixth Sense to  Fight Club (August - October 1999)

Films that have left a lasting impression on their creators (M. Night Shyamalan, Sam Mendes, David Fincher) make up the majority of Part Three of our Films of 1999 overview.

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Part 2: The Virgin Suicides to The Blair Witch Project (May - August 1999)

In Part Two of our look at the most memorable films of 1999, we experience music, foul-mouthed mayhem, and a late, great auteur's final cinematic statement.

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Part 1: The Thin Red Line to Star Wars Episode I (January - May 1999)

The first part of PopMatters' look back at the films of 1999 is bookended by the long awaited return of two cinematic auteurs of wildly different styles, Terrence Malick and George Lucas.

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An Auteur’s Touch of Evil

The auteur is dead, long live the auteur: Orson Welles and Touch of Evil, 50 years on.

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‘The City’: The Most Seen Documentary

Steiner and Van Dyke have an eye for beauty even in misery, and their compositions make this part of the movie a pleasure to visit, even if we wouldn't want to live there.

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‘This Is Not the Culture I Signed Up For’: Alan Moore and Hollywood

Who will watch the Watchmen? Not their creator, Alan Moore. And while he seems to be alone in his condemnation with the latest adaptation of his work, Moore's steadfast position deserves some real attention.

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John Cassavetes’ Faces: The Authenticity of Discomfort

The camera always gets too close in Cassavetes’ films. These aren’t close-ups; they are invasions of private space.

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1 Mar 2009 // 8:59 PM

Woolf at the Door

Both Virginia Woolf's Mrs. Dalloway and Michael Cunningham's The Hours offer an illuminating look at the choices we make, the roles we play, and the hours that hinge our lives together.

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Part 6: Simply the Best: Another “Look” at Liv Ullmann

PopMatters concludes our 100 Best Female Film Performances feature with extremely insightful, generous anecdotes from Liv Ullmann about three of the performances on this list, one of her personal choices, and a once-in-a-lifetime addendum by the glorious Bergman super trouper Bibi Andersson herself.

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More Recent Features
//Mixed media
//Blogs

Perspectives on Death in 'Game of Thrones - A Nest of Vipers'

// Moving Pixels

"How do you decide who lives and who dies?

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