Sunday, January 1 1995
If I didn't believe films had the power to promote social change, I wouldn't make them.
That hero mentality The interviews are running behind schedule. Granted, there’s lots to keep track of, namely, a day’s worth of meetings with
Stacy Peralta, winner of the 2001 Sundance Film Festival Director's Award, wears a sweatshirt and sneakers.
Spike Lee has established a reputation as an innovative and intelligent artist and provocative cultural critic.
Eric Mendelsohn is a quiet guy, thoughtful and self-reflective. His first feature film - which won the 35-year-old Mendelsohn the Directing Award at 1999's Sundance Film Festival and was an official selection in the Cannes Festival's 1999 Un Certain Regard - is a carefully observation of suburban self-delusions and truths.
[As a director,] you have to let spontaneity and chaos live with you, and be able to pick and choose.
The 63-year-old filmmaker doesn't count talking about his work among his favorite activities -- as he puts it, "I have a more physical approach than a cerebral approach, a more athletic approach" -- but he remains enthused about his new documentary, Grizzly Man.
Made for only $225,000 and shot in 18 days, '' tells the story of a young man, Charlie (Dan Futterman), recovering from a terrible trauma, trying to make sense of the loss of control that he's feeling, and for Shear, New York offered appropriate mystery, randomness, and danger.
Marla Sokoloff may be best known for playing the sorta punky Lucy Hatcher on David E. Kelley's popular series, 'The Practice'.
Tell people you are interviewing Christopher Guest and generally you will get a blank stare.
No one is ever going to eat dog shit again. So if that's what you're looking for, move on!
Heartbreak Phenomenology One of Animal Husbandry‘s preoccupying themes is the way that sadness over a breakup can leave just about everything soaked in the
The difficult part for me was that Sheila was so isolated. She would always appear in the scene, and everything would go into an extremely slow motion.
All this is new for the 42-year-old Atom Egoyan, whose work is characteristically deliberate, elegant, and above all, exploring relationships between art and interpretation.
I want them to forget that somebody wrote this, I want them to forget that somebody directed it and think about the characters and believe in the characters.
Refusing to embrace the unquestioning devotion and silence of religious fundamentalism, Saved! instead encourages dialogue regarding the contradictions of religious fundamentalism
Paul Thomas Anderson describes his new film, Magnolia, in language that only seems simple. He's obviously excited about it, glad to have it released and to be talking about it, which, he observes, is part of the process.
Chris McQuarrie doesn't look like someone from Hollywood. He doesn't wear black, his face is pleasant and his voice soft and deliberate, without the speed and breathlessness that afflict folks who spend too much time inside the business.
Rob Sitch seems the type who might turn questions around on his interviewer fairly regularly.
I didn't want the characters to have to explain why they exist. I don't feel like I have to do that.