Recent Features
A Mutant Breed of Christian Music? How Slow Dakota Reinvented a Genre in 22-Minutes

If Bürstner and the Baby's goal is to evangelize, one might ask why PJ Sauerteig spends so much time burying the Gospel and mutating his influences.

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29 Apr 2016 // 2:00 AM

Prince and Michael Jackson: The Rivalry and the Revolution

Deemed As polar opposites by the media, part of what made the Prince v Jackson rivalry so compelling was their similarities.

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28 Apr 2016 // 8:28 AM

Living Comfortably: An Interview With Dunes

Formed from the ashes of some of LA's best loved punk bands, Dunes changed their sound to embrace pop and create an album that they would want to listen to.

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North Carolina’s Phuzz Phest 2016 Is a Music Festival Done Right

Festivals can and should be transactions, but not of capital or codified cool. They should bring people into a space so they can see what it's about and let them add something to it. NC's Phuzz Phest does this well.

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It’s Okay to Change: A Conversation With David Brewis of Field Music

David Brewis discusses Field Music's new album, his parents' record collection, being in a band with family, and music nerd inside-baseball.

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On Going Preadolescent Batshit With Prince’s ‘Batman’

Prince was my chaperone away from the music of my parents’ generation towards something forbidden, dangerous, pleasurable, weird, and shockingly modern.

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Prince: Something That You’ll Never Understand

Prince didn't care where you went. He didn't care what you did. And he couldn't take U with him.

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Kanye and Mingus: Gifted, Complicated and Proud of It

Charles Mingus and Kanye West represent an extreme form of the complicated-and-proud-of-it black man, within a society that prefers its black men as uncomplicated and untroubling as possible.

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Let the Darkness In: Johnny Indovina Reflects on 30 Years of Human Drama

For every band that makes it big, there are countless others working for the love of creation. Human Drama is one of those bands.

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4 the Tears in Your Eyes: Remembering Prince

A reflection on the life and death of Prince, one of popular music's greatest artists.

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There’s Music Coming From ‘The Last House on Dead End Street’

Having apparently blown $2,200 of his $3,000 budget on coke, Roger Watkins turned to what's known as ‘library music' to salvage a decent soundtrack.

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Without a Net: A Conversation with Peter Frampton

Peter Frampton: "(W)hen I do finally kick the bucket it's going to read 'Frampton drops dead', it's not going to say 'Frampton Comes Alive!', anymore."

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18 Apr 2016 // 2:30 AM

Cloud Nine: Interview with Hælos

They broke on Soundcloud and are being hailed as a successor to the sound of trip-hop greats like Massive Attack. But HÆLOS are out to craft a legacy all their own.

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18 Apr 2016 // 2:00 AM

Persona and Modern Music in 17 Songs

Persona -- the “I” of the song -- has evolved, broadened, and expanded to more fully represent a diversity of experiences as well as emotional, political, and cultural orientations.

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Bottled Out of Eccentricity: A Conversation With Kavus Torabi of Knifeworld

Knifeworld mastermind Kavus Torabi discusses the positive rewiring effects of LSD, Gong's late Daevid Allen, and Knifeworld's newest, Bottled Out of Eden.

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Charles Bradley’s Voice Full of Love and Hurt: The Interview

Soul master Charles Bradley talks about the painful changes that shaped his latest album and the way that his raw, powerful music helps him transcend heartache.

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Holding on to Hag: Remembering Merle Haggard 1937-2016

Merle Haggard died at age 79, leaving behind a legacy of authentic country music.

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Not a Common Man: Duncan Sheik and the Crafting of an American (and London) Pyscho

After winning a Tony for his work on Spring Awakening, pop craftsman Sheik now tackles bringing American Psycho to the stage.

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We Are the Hope: An Interview With Jazz Master Wynton Marsalis

Marsalis speaks to PopMatters about The Absynnian Mass, his inspirations, compositional techniques, and the reason he plays music.

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5 Apr 2016 // 2:30 AM

Maturing at Their Own Pace: An Interview with the Thermals

"We want the songs to be joyous, or like a celebration, even if what were singing about is not a happy thing. We want our songs to be fun even if it's a dark subject or a sad subject."

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More Recent Features
//Mixed media
//Blogs

The Moving Pixels Podcast Looks at the Scenic Vistas and Human Drama of 'Firewatch'

// Moving Pixels

"This week we consider the beautiful world that Campo Santo has built for us to explore and the way that the game explores human relationships through its protagonist's own explorations within that world.

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