Recent Features
I’ve Waited Ages: An Interview with Wire’s Colin Newman

With the influence of rock group Wire still ringing large, Colin Newman talks about the haphazard, almost casual way that his first three solo albums emerged (now finally re-released).

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Get Clowned: Donald Trump, the Insane Clown Posse, and Nathan Rabin’s Family Dispatch

"I feel like Trump and his ideology are about punching down... Whereas Insane Clown Posse, they're about punching up."

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Making Music Out of Uncertainty: A Conversation With FaltyDL

FaltyDL: “The more I think about what people are going to understand, the more convoluted my art gets.”

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31 Oct 2016 // 2:00 AM

Unlock Yr Heart: An Interview with Psychic Twin

Erin Fein handled a brutal divorce in a way few of us could imagine: by digging into herself to create a powerful, evocative album.

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“Galveston Bay” and Bruce Springsteen’s Search for the Promised Land

In a year when banning an entire culture from entry into the US is a key election point, the inclusiveness and humanism of Springsteen's "Galveston Bay" has never been more essential.

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28 Oct 2016 // 1:30 AM

Owning It: An Interview With Trails and Ways

"How do I find confidence in myself and belief in my own voice, now that there's no pretense to it being a totally shared project and it's totally centered on me as a songwriter?"

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Your Tape Is Our Tape: Mike Mogis Looks Back on Bright Eyes

The saga told across The Studio Albums: 2000-2011 isn't just the story of Conor Oberst's evolution as a songwriter. It's also the story of Mike Mogis's evolution as a producer.

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Plugging In and Loosening Up: An Interview With Richard Shindell

Shindell is an influential figure in the Fast Folk genre, and with the release of his 10th album, spoke to PopMatters about the long and ultimately rewarding process of creating Careless.

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Coming in to Land: Pigeon John Inducts Hip-Hop Into the Twilight Zone

Hip-hop’s most loquacious jester forges ahead into a twilight zone of skewed and jacked up hip-hop.

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“You Can’t Plan a Jam”: An Interview With Dean Ween

"If it's going somewhere, it might get a bass solo and a drum solo for two minutes. But that's jamming, you know?"

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19 Oct 2016 // 7:19 AM

No Piano, Please!

Four recent releases demonstrate the stylistic range and power of jazz that isn't hemmed in by chords.

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Lowering the Boom: An Interview with Boz Boorer

Although an acclaimed collaborator of Morrissey's and Adam Ant's, Boz Boorer still has a focused solo career, and speaks to PopMatters about Age of Boom, his latest salvo.

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Readings on Eluvium: Putting Matthew Cooper into Perspective

In this interview, Eluvium describes the cognitive dissonance that birthed his new album and opens up about his perceived identity in the modern compositional landscape.

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Adding Spice Amid the Chaos, an Interview With Faith No More’s Billy Gould

Faith No More's producer, songwriter and bassist on the songwriting craft, the re-release of their first album, and the real reasons behind guitarist Jim Martin's departure.

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A Marimba in Every Pot: Thor Harris on Friends, Minimalism, and the Unknowable Audience

Thor Harris talks about his new band, Thor & Friends. Or, as he puts it, "Awesome ladies playing marimba and xylophone."

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Brought to You By the Letter ‘E’: Thalia Zedek on Her New Records, New Band

Thalia Zedek discusses how she turned toward quieter music after the breakup of Come and how a creative rut led her back to the land of the loud.

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Hymns and Confessions: A Conversation With Casey Crescenzo of The Dear Hunter

Crescenzo is proud yet humble, blunt, and occasionally enigmatic in discussing Act V, as well as the past and future of The Dear Hunter in general.

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Real Dreams of the West Coast: An Interview with Shawn Lee of Young Gun Silver Fox

"This was the first record I've ever made where I felt like it was totally understood by people."

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10 Oct 2016 // 1:00 AM

Nick Cave Predicts the End of Western Civilization

With “Higgs Boson Blues”, Cave simultaneously bemoans and embraces the existential crisis caused by hyperreality.

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Part Journal, Part Art Exhibit: An Interview with Hiss Golden Messenger

"I had just quit my job and I think I was having a bit of an existential crisis because all of a sudden I had gotten what I had been hoping for, which is to be able to devote my days and waking hours, creative hours, to making music, to making art."

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More Recent Features
//Mixed media
//Blogs

'Cube Escape' Is Free, Frustrating, and Weirdly Compelling

// Moving Pixels

"The Cube Escape games are awful puzzle games, but they're an addicting descent into madness.

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