Recent Features
Something Old, Something New, Something Borrowed, Something Blue

Even today there are distinctive characteristics to American and European jazz styles. Which strain of music is most forward-looking? Which suggests the most promising vanguard for a music that seems to lose listeners even as its creativity expands?

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Daytime TV Goes Gangsta with Snoop Dogg

Hip-hop's top dog touches down in soap opera territory for two days of music and melodrama.

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25 Jun 2008 // 10:59 PM

Finding Common Ground

Caetano Veloso’s 1973 album Araçá Azul is as defiantly unconventional and challenging as Godard’s pioneering New Wave classic Breathless (1960), altering the possibilities and expectations of his chosen medium.

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“The Real is Just as Magical as the Fictitious”: An Intimate Talk with Saul Williams

Few people would give their new album away for free online. Fewer would stop a prison brawl by reciting a poem. Fewer still do all this while making a powerful statement about the issue of race in our country today. Saul Williams does all these things.

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Julie Christmas: All Treadmill, No Fishnets

Julie Christmas, lead singer for Brooklyn's Made Out of Babies, talks about the "venemous" combination of screaming and restrained singing, ambiguous lyric-writing, and the making of the band's latest album, The Ruiner.

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Brilliance and Boredom in Barcelona

There are many different ways of achieving greatness when playing live. Of course you have to have great songs, but that is not the only variable to take into account for real stage success.

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The Gaudí, the Bands, and the (Not So) Muddy

You know there's a music festival in the city when fedoras and scarves outnumber baseball caps and gold chains.

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Grateful Dead: Winterland 1973: The Complete Recordings

Ultimately, what I am trying to say is this: The Dead can be appreciated -- indeed, probably must be appreciated -- as a kind of continuing, evolving, shifty performance of “The Grateful Dead”.

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18 Jun 2008 // 11:00 PM

Dark Meat [Athens, GA]

Dark Meat is cutting a wild, grimy, jazz-punk path across the musical landscape, and they want you to join them -- in the audience, on-stage, whatever.

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Clearer Vision: An interview With David Berman of the Silver Jews

The Silver Jews' David Berman recently underwent eye surgery that both physically and metaphorically extended his range of vision. He talks to PopMatters about being able to see farther in so many ways.

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Ten Years Dancing on the Hudson

For the last decade, Turntables on the Hudson has held gatherings of positive music -- funk, hip-hop, soul, dance; African, Latin, and Balkan beats -- that thrive on human connection.

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15 Jun 2008 // 11:00 PM

Memory of a Free Festival

The carefully curated lineups at the big multiday summer music festivals promise an unforgettable experience for fans -- those who can afford to go, that is.

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20 Questions: Rhett Miller of the Old 97’s

Rhett Miller, lead vocalist of the Old 97's, chats with PopMatters' 20 Questions about fantasy football, his affinity for the protagonist in Wallace's Infinite Jest, and this neat little trick he does with spoons.

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Flying Alone: Edward Hopper and America’s Night Side

Isolation is more than being alone. That is why the greatest and most discomforting presentation of isolation can be found in Hopper's paintings that include more than one person.

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“It’s a Masochistic Stare-Down”: An Interview With Adam Green

The former Moldy Peaches frontman scored with Juno's "Anyone Else But You", but he's a busy man with a brand new solo album, getting hung up on Johnny Depp, and having French boys thank him for writing "such impersonal music".

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The Dawn That Grows Into Day: High Noons, Twilights, the Beach Boys, and Dennis Wilson

A pair of new Beach Boys releases -- a 16-disc box set of singles and the reissue of Dennis Wilson's Pacific Ocean Blue -- examines the group's resonance beyond the lauded Pet Sounds era.

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9 Jun 2008 // 11:00 PM

The Shredder Cometh: An Interview with Tim Reynolds

Guitarist Tim Reynolds has recently joined Dave Matthews Band on the road and in the studio for the first time since 1998. Last week, Reynolds spoke with PopMatters' Robert Costa in an exclusive backstage interview to talk about DMB and his own band TR3.

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8 Jun 2008 // 11:00 PM

Righteous Paths

The Drive-By Truckers' live shows once played like a songwriters-in-the-round session with electric guitars and increasingly empty bottles of Jack Daniels. Then Jason Isbell came along -- and it only got better.

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5 Jun 2008 // 10:59 PM

Shriekback and Me

Rett Snotherly reflects on the familiar tale of the emotional ties to a beloved band stretching across time, and how the impact of youth's engagement remains a part of us that lingers years later.

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4 Jun 2008 // 11:00 PM

Yes We Can Can

The recent "censure" of The Boondocks demonstrates the difficulty art faces in raising a critical converation in a corporate setting. Considering hip-hop's deep embedding into corporate culture, how can radical change happen?

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More Recent Features
//Mixed media

Indie Horror Month 2015: 'Dark Echo'

// Moving Pixels

"Dark Echo drops you into a pitch back maze and then renders your core tools of navigation into something quite life threatening.

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