Recent Features
All By Himself No More: An Interview With Eric Carmen

"We had banged our head on the wall long enough and said, 'This isn't going to work,'" remembers Eric Carmen, but the reunited Raspberries show that 30 years later, they're no overnight sensations.

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In a Posse’s Strength: An Interview with Tori Amos

The artist splits personae, splits her vote, and defends her shoes. Tori Amos talks to PopMatters about this and more.

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Wyndham Lewis: The Irascible Enemy

Wyndham Lewis brought a scintillating intellect to his artistic endeavors. If only we could let him loose on the majority culture of our time.

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Howard Devoto: Jerky Versions of The Dream

Erudite perspectives on the romantic dream from a shape-shifting man-insect who left punk before we knew it existed. Awkwardness has never sounded so varied, cinematic, stupid and sexual.

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Chris Letcher [London/South Africa]

South African filmmaker and songwriter Chris Letcher talks about the intersection of film soundtracks and pop, what it was like growing up in apartheid-era South Africa and how he got the sounds of a heart transplant ward onto tape.

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Foo Fighters: The Colour and the Shape

For anyone who experienced the heyday of Nirvana, it's still surreal that the lanky, string-haired drummer is the guy who'd be on magazine covers and writing #1 rock radio hits 15 years later.

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Lead By Example: A New Dawn With Sixx: A.M.

More than a mere memoir and corresponding album, The Heroin Diaries, the latest project from Mötley Crüe's Nikki Sixx, is a graphic exploration into the mind of a man losing his battle with himself.

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Margie Joseph Reclaims Her Soul: The Interview

Atlantic Records matched one of the most soulful female vocalists of the '70s with one of the all-time greatest producers. Three decades later, why is Margie Joseph not singing all the way to the bank?

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Let’s Get Ready to Mumble: An Interview with Black Rebel Motorcycle Club

Black Rebel Motorcycle Club are back. And we still have to lean in to hear what they’re saying.

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16 Aug 2007 // 10:59 PM

Reflections: Motown in 1967

The latest installment in Hip-O Select's impressive reissue series, The Complete Motown Singles, Volume 7: 1967 collects every A-side and B-side released that year, including planned and deleted singles, as well as alternate and promotional mixes -- 120 tracks in all.

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Factory Bloke: Tony Wilson 1950-2007

He was a (expletive) who incited invective, but he stuck to principle and remained true to his Factory ideal: "The artists own everything, we own nothing."

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A Desire to Make Sound: The Arrival of Creative Guitar God Nels Cline

The jazz guitarist -- with Wilco, his trios, or anyone else -- opens up a conversation about how to keep this music living.

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All Tomorrow’s Parties: The Warhol Years 1965–1967, Part Two

In the second of two exclusive PopMatters book excerpts from The Rough Guide to the Velvet Underground, Hogan offers a who's who of Andy Warhol's Factory people.

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All Tomorrow’s Parties: The Warhol Years 1965–1967, Part One

In the first of two exclusive PopMatters book excerpts from The Rough Guide to the Velvet Underground, Hogan details the energizing effect that meeting Andy Warhol had on the Velvet Underground's career. Stay tuned for part two tomorrow.

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Bruce Willis, Genghis Khan, and Ravioli: Inside the Red Chord’s Prey for Eyes

Do metalheads dream of Kanye West? Guy Kozowyk, vocalist for deathcore standout, the Red Chord, vividly regales PopMatters with lengthy tales about how the many ideas that dominate the band's latest album came to fruition.

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The Free Radicals: An Interview with the Crimea

Major labels, Millennium Stadiums and Tours with Billy Corgan; The Crimea have done it all. Now they’re on their own, they’re breaking all the rules.

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9 Aug 2007 // 11:00 PM

A Critic’s Grab-Bag

The most rewarding work as a critic is not in evaluating the flow of big menu items from established artists, but in sampling the little dishes that come along -- like this quartet of obscure, interesting stuff from 2007's first half.

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Genesis: 1976-1982

Genesis is slightly different from typical prog rock. Yes, they had the 20-minute song "cycles" and the classical allusions all up in their lyrics, but they also had a few other things that their proggy peers did not: specifically, Peter Gabriel and Phil Collins.

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8 Aug 2007 // 11:00 PM

The Summer of Monkees

The Monkee's Headquarters pulsates with a primitive garage fervor, the joyous sound of four eager musicians taking the wheel after months of riding in the backseat; Pisces, too, has more power under the hood than many listeners may realize.

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8 Aug 2007 // 10:59 PM

Alice Cooper, Love It to Death

Love It to Death is the beginning of Alice Cooper as we know him, with his storytelling bent and Ezrin's drapes of the epic. From there Cooper got more external about the nature of evil in his stage shows and symbols.

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