Wednesday, October 9 2002
The Future Sound of London talk to PopMatters about what they've been doing for the past six years since 1996's Dead Cities and tell us about their newest release, The Isness.
Tuesday, October 8 2002
The world on the ground is a house of blues, made worse by compliance, made better by songs and heart and -- most un-punk -- civic-mindedness. Tweedy might take seriously the Woody Guthrie mantle he inherited with Billy Bragg during the 'Mermaid Avenue' sessions.
Wednesday, September 18 2002
Let's face it: you have a musical past and it can't be buried.
Tuesday, September 3 2002
Axl Rose delighted mature viewers but left much of MTV's new target audience -- those who think the Backstreet Boys are old -- thinking the 40something's antics were a bit sad.
Tuesday, August 27 2002
For some reason (possibly the urban secularism of both forms) jazz and hip-hop have generally made sympathetic partners.
Wednesday, August 21 2002
In a perfect world, the Big Five would all go to bed one night and wake up to find the Internet had been destroyed while they were sleeping. What they don't realize is that the Internet is their salvation.
Wednesday, August 14 2002
It’s the same old story, really. Band that’s huge in Britain and in other countries across the globe, try as they might, can’
While Newport reveled in going against the grain it was never a place for musical revolutions. That is why Dylan made such a big splash when he used it as a place to introduce his new sound. But now, there is no establishment.
Tuesday, August 13 2002
Bruce Springsteen is said to have saved rock and roll. Despite the fact at 52 he remains one of the most engaging performers in the history of the genre, it's not his to save anymore.
Monday, August 5 2002
It's a pretty good time to be a jazz vocalist -- particularly a female one. If your name is Diana Krall, it is of course even better.
The intricate four-part harmonies that were the bedrock of the black gospel quartet tradition, were honed over centuries in the work songs that enslaved blacks incorporated into their daily activities as exploited laborers. These harmonies have always had a 'public' visibility that connected them more to the secular world, though so many of the narratives were 'other-worldly', which would also include visions of emancipation and a return to the 'homeland'.
Is there anything common linking these artists? A sound? An aesthetic? A philosophy? I don't really think so. All they have in common is their brilliance at playing jazz music, and having once been signed to the same label.
Monday, July 29 2002
Michael Franti has made a life ignoring conventions. Maybe it stems from a formative childhood, a black boy adopted by white parents. Maybe it arises from an unwillingness to merely regard music as an frippery, an entertainment, merely a dramatic gesture
Dan Bryk's songs have a distinct quirkiness that all have their own separate charm.
Friday, July 12 2002
"I like anything with a good melody, and a meaningful lyric. This probably isn't very hip of me, but I think the Indigo Girls are my favorite group of all time", says Mark Kano of Athenaeum.
We're talking mucho bucks and financial strategy and public image when all is said and done. It's big-time scumbag business.
Wednesday, July 10 2002
Any one comp will give you a fair picture of the possibilities each scene has to offer. One or two will find their way into your lives, as perfect headphone or car driving accompaniment to your summer groove.
Monday, July 1 2002
I understood the value of John Entwistle's rock-solid strength amid the pinball-bouncing craziness of his bandmates' fierce energy. If they were the sizzle, 'The Ox', as he was affectionately known, was the steak.
The camera falls on Entwistle, who's caught with a half-assed grin that quickly turns into a grimace. That one shot says it all for John: the guy standing at the back who had more up his sleeve than he was letting on.
Onstage, while Townshend would be smashing his guitar, Moon kicking over his drum kit and Daltrey scraping the microphone on one of Moon's dislodged cymbals, Entwistle would stand in front of his bass cabinet playing various scales right through the chaos around him.