Sunday, January 1 1995
After a long stretch of good songs and little reward, Fluid Ounces appear to be headed for some success. Maybe even some income.
Zaremba looks back on three decades of 'super rock' and finds the landscape littered with obscure Humphrey Bogart movies, Fleetwood Mac parties, early Tom Hanks comedies, and the evolution of the 'power stance'.
Preparing to tour in support of At War With the Mystics, The Flaming Lips' Wayne Coyne discusses politics, drugs and divine intervention.
Fischerspooner's Casey Spooner loves his trashy pop singles ... and his avant-garde theater, too.
Obtuse, over the top, flashy, trashy and electroclashy: Patrick Sisson digs beneath the arty exterior to figure out what makes Fischerspooner glitter.
New York City rockers the Fever play restless, heated music. PopMatters music critic Deirdre Day-MacLeod sets out to discover how they keep the temperature up.
Feist explains how she became the Kevin Bacon of Canada's music scene.
Eight members, multiple songwriters and dozens of instruments coalesce in one indefinable, all-natural sound for Vermont's folk collective Feathers. 'Each of us has our own philosophy of how we make music and we all get to practice it in parallel,' said Feathers' Meara O'Reilly. 'It happens to all coincide in some way.'
Sometime around midnight on March 9th, a dream of rock stardom imagined by a wide-eyed group of Raleigh musicians eight years ago will finally die.
Ethel's Mary Rowell explains how an experimental string quartet ended up in a rock show.
PopMatters documents the rebirth of Alejandro Escovedo, once named Artist of the Decade by No Depression in the '90s.
No elephantine egos for this crew - the much-talked about Elefant are truly down to earth. PopMatters' Peter Joseph checks in.
Electrelane sticks to one language in breaking down life and music outside Brighton.
Elbow takes some time to show us a high-class hangout, but end up proving they've stayed grounded.
Bay area hip-hop legend and slang encyclopedia E-40 is in the mix like Bisquick and never late like FEMA... do you smell him?
Duran Duran bassist covers everything from the early singles to the current tour.
Dungen's Gustav Ejstes on improvisation, the language barrier, power trios, and the importance of taking it easy.
The Matisyahu guitarist talks about working in the studio with Bill Laswell and finding his style in New York's jazz scene.
'A lot of tension in Faulkner's novels emerges from a conflict between trying to make time do what you want it to, trying to force time to do what you want it to because allowing it to pass on its own feels really disastrous and scary. I can relate to that on an emotional level. I think that's almost infantile -- not in a derisive way. That's how people grow up, in a way, is to realize that you don't have to have control over things and you have to just let them be.'
DMC is, like any good writer, aware of the power of words and names. Which explains his considerable shock when he discovered that Darryl 'DMC' McDaniels had, in fact, been adopted.