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Sunday, January 1 1995

Divergence in Technicolor: An Interview With Christian McBride

The bandleading bassist pulls together a cast of violins and trumpets and turntables for complex exploration, and he makes it sound fun.

A Lasting Friendship with the Blues

Some paternal thoughts from John Mayall, who's still setting up the young guns.

Last No Longer: An Interview with Wu-Tang Clan’s Masta Killa

'Maybe they thought Masta Killa couldn't even have what it takes to be a solo artist,' the rapper says of himself, but he didn't want to rush to prove anyone wrong.

An Interview with Doug Martsch

Martsch recently sat down for a phone interview with PopMatters to discuss his solo album, good blues music, the state of Built to Spill, and his new cover band.

Maroon 5’s Second First Impression

PopMatters' Will Wiess talks with Maroon 5 about how they managed to obtain something few contemporary bands ever get: a second chance at success.

Interview with Pete Trewavas of Marillion

Marillion are impossible to categorize musically and impossible to ignore once someone listens to the band just once.

Getting “Between Mr. Sincere and Something Bearable for Existence”

Stephen Malkmus has little too say, but we interviewed him anyway.

Mechanic Organic Exclamations

What M83's Anthony Gonzalez will and won't reveal about his most recent album and his nude poetry recitals.

If You Don’t Like It…

Shelby Lynne, the only person in rock and country music today who claims not to be influenced by the music of Johnny Cash and/or June Carter, plays Johnny Cash's mom in the new movie about the legendary couple.

The Music Next Door: Talking with the Lucksmiths

Marty Donald's done cooking with his girlfriend, or at least done writing about it.

This is Where We Are Now: An Interview with Low’s Zak Sally

Low's bassist talks to PopMatters about the band's current sound and approach.

On Fans, Validation and Anger: An Interview with Low’s Alan Sparhawk

Low's new album shows a dramatic shift and sound, and Alan Sparhawk's here to explain.

Low: Free to Do Anything

As Alan Sparhawk himself points out, a lot of people listen to Low and hear pretty much one thing: 'depressing music'. Low is simply more subtle than most, favouring tone, delivery, texture, and the relationship between sounds and silence over bombastic angst or capitulations of volume or rhythm.

The Sun King from San Diego: An Interview with Louix XIV

Like their namesake, Louis XIV likes control and digs the physical side of life.

Catching Up With Local H

PopMatters music critic Michael Christopher talks with Local H's Scott Lucas about the clouded history of Daniels' departure, why politics and rock never quite mix, and what George W. Bush has in common with Macaulay Culkin.

Anarchy in the U.S.A.: An Interview with The Living Things

Three rowdy brothers from St. Louis have curious first names, a mission statement, and a propensity to get kicked out of county fairs. What gives? PopMatters investigates.

Coast to Coast with a Camera and the Wrens

The Wrens surmounted record-industry woes to finally achieve national recognition with The Meadowlands. Little Quill Productions set out with the New Jersey band on its ensuing tour to document how success is treating them. Here, the filmmakers tell us how the project is coming along.

The Libertines

A libertine is someone 'who acts without moral restraint'. In order to live up to the name, the group have tried their best to emulate the definition by basically doing whatever the fuck they want.

Climbing Out of the Trench: An Interview with Liars

I recently got a chance to talk with Angus about hanging with Sonic Youth's Thurston Moore, how September 11th inspired him, and how he hooked up with Jon Spencer Blues Explosion for their upcoming fall tour.

Don Letts

The term 'Renaissance man' could well have been invented for .

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