Wednesday, October 1 2014
The National's seminal 2005 album Alligator shows the band, like America, to be lit up by white lights even as it is surrounded by darkness.
Monday, September 29 2014
We owe it to ourselves to recognize the many women in pop music that made an undeniable impact on popular culture and the world at large.
Friday, September 26 2014
Despite their canonical status, Yankee Hotel Foxtrot, Oracular Spectacular, and White Blood Cells lack the staying power of truly great albums.
Thursday, September 25 2014
Hip-hop's turn for the weird in the '00s ended up being one of the smartest moves it could take. Forget the old guard; 21st century hip-hop succeeded in improving on its forebears.
Wednesday, September 24 2014
It's been a life-changing five years for Bill DeMain and Molly Felder since the last Swan Dive album, but their new music is still warm and enveloping, often wistful and nostalgic, and always memorable.
The historical unfolding of hip-hop bears a strong similarity to that of literature. With that lineage in mind, it's easy to see why the '00s found hip-hop taking on its postmodern stage.
Tuesday, September 23 2014
Sondre Lerche dealt with a difficult divorce going into the sessions for his latest album, Please, but it's the greatest thing he's ever done, and tells us about the saxophone solo that may have changed his life (yes, it's on the record).
Monday, September 22 2014
The jazz of the '00s jumped past the great divide of earlier years, obliterating the distinction between tradition and avant-garde, jazz and pop, letting the genre blossom.
Thursday, September 18 2014
Mike Watt has been in so many iconic bands that it's sometimes easy to lose count, but now, with a stripped-down Italian trio called il sogno del marinaio, Watt is doing his most daring work yet ...
Wednesday, September 17 2014
Following its name change, Parsonsfield, New England's most exciting folk band, is letting its music speak for itself.
Tuesday, September 16 2014
Drummer Matt Johnson shares his reflections 20 years later on working with Jeff Buckley and recording what turned out to be a masterpiece, 1994's Grace.
Monday, September 15 2014
Mostly Other People Do the Killing have taken on an ambitious task: recreate Miles Davis' landmark Kind of Blue note for note. Except, as bassist Moppa Elliott notes, note-for-note might just be impossible.
Drawing from 20 years worth of reviews and books, in addition to new interviews with those involved in Jeff Buckley's music, David Chiu looks back on Grace, which two decades later remains just as impactful.
Friday, September 12 2014
Australian songwriter Zoë Randall of Luluc has been listening to her favorite albums, over and over, for decades. Her own new one Passerby is so effortlessly lovely that you can likewise imagine yourself putting it on again this year and next year and the one after that.
Tuesday, September 9 2014
Ethan Johns calls upon the ghosts of such British songsmiths as Bert Jansch and Nick Drake, while developing interwoven and metaphorical narratives in the footsteps of Richard Thompson and Bob Dylan.
Monday, September 8 2014
Like Kierkegaard did more than a century-and-a-half ago, Arcade Fire has the courage to ask whether our experience of the world is really as spectral, thin, and shallow as it sometimes seems.
Friday, September 5 2014
The Flaming Lips' Steven Drozd talks with PopMatters about new group Electric Würms, his thoughts on progressive rock, and decades of musical exploration.
Thursday, September 4 2014
After three decades as a recording artist, David Bridie, Australia's best kept secret, releases his fourth solo album Wake, an album born on the outer reaches of a dream.
Wednesday, September 3 2014
With years between albums, a lot of factors, including a "get here now so we can record" email from the Black Keys' Patrick Carney, was what got Matt Sharp's the Rentals back into gear.
Tuesday, September 2 2014
"It’s just like exploration really, and just jumping off certain types of cliffs and trying to open up sonic parachutes that’ll get you floating down to your destination and landing on two feet."