Recent Features
Trailers for Films That Don’t Exist: An Interview with Destroyer

Dan Bejar is a man of many talents, but after the burnout of promoting his breakthrough Kaputt, the man behind Destroyer made a record on his own terms.

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Of Acolytes, Geese, and Ghosts: Genesis’ Steve Hackett and Anthony Phillips

The album journeys taken by Genesis' Steve Hackett and Anthony Phillips in the mid-'70s are remarkably similar.

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Fade Away Slow: An Interview with Tamaryn

When a musician describes one of her tracks as "an early Madonna song if it was produced by My Bloody Valentine", you know you're in for something special.

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What’s So Smooth About the New Smooth Jazz?

Recent work from a group of young musicians, beautifully represented by the new Supreme Sonacy from Revive Music, makes it cool again to put out jazz that wants to be popular.

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Music Writer Jessica Hopper on Her New Anthology and the Role of Women in Music Culture

The Rookie andThe Pitchfork Review editor talks about her latest collection of writings, spanning over a decade.

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12 Aug 2015 // 1:02 AM

Real Dphrepaulezz: A Conversation with Fantastic Negrito

"It took a long time to get here. Twenty years just to get here, to the voice of Fantastic Negrito. If I'm honest," Dphrepaulezz reflects, "it takes a long time to be honest with yourself."

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“This Awesome, Uncontrollable Surprise”: An Interview with Bastille

Mercedes-Benz has been curating a five-month, five-stop tour to try and target millennials, with Bastille as one hell of a headliner. For Bastille, it's just "exciting to have a whole new set of songs to play."

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No Apologies: A Critique of the Rockist v. Poptimist Paradigm

Both rockists and poptimists treat music as not much more than a social commodity, a consumerized product within the spectacle of American capitalism.

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Lush Life: The Music of Brazil’s Doris Monteiro

Doris Monteiro, Brazil's "Queen of Radio", offered in 1976 what was perhaps her finest musical declaration with Agora, a now obscure and luxurious treasure of Brazilian pop-delights.

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Existential Rap: An Interview With LOSTBOYEVSKY

With the release of his debut mixtape Rhymes 'N' Puns 'N' Shit, art rapper LOSTBOYEVSKY talks about rapping in South Korea, the nature of art rap, and technology's impact on life.

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What Is New Orleans Producer Carlo Ditta Talkin’ About?

A "keeper of the flame of funk", Carlo Ditta, releases his first album.

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20 Questions: Tim Noyes of Handsome Ghost

Last year, PopMatters premiered Handsome Ghost's "Blood Stutter". This year, we caught up with Tim Noyes after a performance to have him answer '20 Questions'.

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Reappraising Ian Anderson’s ‘Minstrel in the Gallery’

Minstrel in the Gallery seems as autobiographical as any Jethro Tull album, before or after, and there is a vulnerability and sensitivity that the songwriter was simply growing into.

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5 Aug 2015 // 1:02 AM

All Hail Hair Metal Heart

Ever since grunge rock turned Heart’s hair metal meal ticket into a scarlet letter, the Wilson sisters have twisted one of the greatest arena rock trilogies ever into a Judean desert-level tale of temptation with a Mutt Lange-ish Devil offering up industrial-sized cans of Aqua-Net, too-tight corsets and platinum albums in lieu of all the kingdoms of the world.

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Let Us Now Praise Dale Watson, American Treasure

Dale Watson wants to secede from country music and all we can do is hope that this is one rebellion that comes to a happy end.

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Heavy Hitters: An Interview With the Isley Brothers

Kendrick sampled them, UK dance groups cover them, and that's just a smattering of the Isley Brother's current legacy, summed up in a new history-packed box set.

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Newport Folk Festival 2015: Dylan ‘65 Revisited and the Community at Fort Adams

The 2015 Newport Folk Festival was an amazing event with a great lineup of artists, the vibe of a small community and a beautiful location.

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Class Actress Plays the Role of Femme Fatale on Her Latest EP

The synthpop artist's Movies is a concept work, with her native Los Angeles serving as the backdrop.

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The Rolling Stones’ “(I Can’t Get No) Satisfaction”: A History

Deconstructing the impact of the Rolling Stones' “(I Can’t Get No) Satisfaction” and remembering how the song has fired our imaginations for the last 50 years.

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Everything Is Easy: The Touring Lives of Third Eye Blind

"I really, really look at the audience. I'm not one of those people who glosses over; I very directly, soberly engage. I'm going to look you in the eye. And you can just see this summer of America getting better."

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More Recent Features
//Mixed media

Marina and the Diamonds Wrap Up U.S. Tour at Terminal 5 (Photos)

// Notes from the Road

"Marina's star shines bright and her iridescent pop shines brighter. Froot is her most solid album yet. Her tour continues into the new year throughout Europe.

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