Recent Features
Five Lives in 15 Broad Strokes: An Interview With LaChanze

Through a one-woman show and new EP, "Feeling Good" celebrates the multi-faceted life of Tony Award-winning performer LaChanze.

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The Spoiled Little Man-Child They Made King: Celebrity, Richard II, and Donald Trump

Did Shakespeare predict Trump? No. That's ridiculous. He just wrote a play about a thin-skinned, petty, self-aggrandising narcissist whose poor leadership drove an empire to ruin. Totally different.

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‘Split’ the Difference: An Interview With Actor Betty Buckley

The Tony-winning actress is the emotional center of M. Night Shyamalan's new film Split, and like the movie, there's more beneath the surface.

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Shakespeare’s ‘As You Like It’ Trumps Reality TV

Shakespeare's As You Like It employed every signature reality show convention three and a half centuries before television even existed.

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Stage 773’s Comedy Ensemble Unlikely Company Finds Their Footing in Farce

Unlikely Company’s talented ensemble finds both the humor and the melody in adult life, urging us to laugh at our own indulgent banality.

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The Pleasure of New Challenges: An Interview With Andrzej Chyra

The acclaimed Polish actor talks about collaborating with Warlikowski and Skolimowski, and the pleasure of playing Hippolytus opposite Isabelle Huppert in Phaedra(s).

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Ralph Fiennes and Vanessa Redgrave Re-team in the Almeida’s Excellent ‘Richard III&#8217

Rupert Goold’s spare, intense production divests Richard III of any pantomime associations and boasts an astounding performance from Ralph Fiennes as the treacherous monarch.

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Isabelle Huppert Unites the Diverse Strands of Warlikowski’s ‘Phaedra(s)’

Krzysztof Warlikowski’s characteristically idiosyncratic production reflects on the legend and legacy of Phaedra as icon – and draws much of its interest from Isabelle Huppert as icon.

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Helen McCrory Captivates in the National Theatre’s Revival of ‘The Deep Blue Sea’

Carrie Cracknell delivers a beautiful, sensitive and measured production of the Terence Rattigan masterpiece.

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Island Life: Alexi Kaye Campbell’s ‘Sunset at the Villa Thalia’, National Theatre

Personal and political tensions surface between two couples in Alexi Kaye Campbell’s absorbing Skiathos-set play at the National Theatre.

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Sexing Up Brecht: The National Theatre’s New Version of ‘The Threepenny Opera’

Some fine performances bring Brechtian bite to Rufus Norris’s otherwise disappointing new production of The Threepenny Opera.

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Movie Time: Annie Baker’s Pulitzer-winning ‘The Flick’ Transfers to the National Theatre

Funny, sorrowful, quietly subversive, and a film nerd’s wet dream, Annie Baker’s Pulitzer-prize-winning play mines humour and pathos.

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Not a Common Man: Duncan Sheik and the Crafting of an American (and London) Pyscho

After winning a Tony for his work on Spring Awakening, pop craftsman Sheik now tackles bringing American Psycho to the stage.

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Lorraine Hansberry’s ‘Les Blancs’ Gets Extraordinary Production at National Theatre

The personal and the political are so interlinked in this play as to be inextricable, and Yaël Farber’s staging offers a dynamic mingling of the intimate and the epic.

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A Curiously Hollow Horror Show: ‘Cleansed’ at the National Theatre

Over-stylised and strangely unaffecting, Katie Mitchell’s staging of Sarah Kane’s controversial play yields mixed results.

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David Mamet and Al Pacino’s ‘China Doll’ Rat-a-Tats Without the Tat

There's an interesting play somewhere in the thin structure of China Doll, but not even a dutiful performance by Al Pacino can bring it to life.

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Edouard Bourdet’s Lesbian Play, ‘The Captive’, Was Certainly Captive of its Time

Alison Bechdel's Fun Home isn't the first lesbian themed work of art to garner acclaim and controversy; 90 years ago, The Captive set the precedent.

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The Thunderbolt of Change: ‘Angels in America’ and the Marriage Equality Victory

Complicated, fabulous and deeply progressive, Angels in America may be more pressing and relevant in the time of SCOTUS' decision on marriage equality than it was during the height of the AIDS crises.

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The Hays Code Nightmare Has Come True. Ain’t That Grand?

The '30s era Hays Code limited significantly what artists could express and what audiences could see. Today's LGBT media has blasted through all that.

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The Politics of Performance: Reverend Billy and the Church of Stop Shopping

Like many avant-gardists before them, Reverend Billy and the Church of Stop Shopping view their performances not as an artistic practice or profession, but as an orientation toward life.

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More Recent Features
//Mixed media
//Blogs

'The Chamber' Keeps the Drama and Suspense Going

// Short Ends and Leader

"The Chamber is the filmic equivalent of a fairground ride, the stimulation of emotion over ideas.

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