Recent Features
What Is It About TV These Days?

Can it still be called television if there's no network? Or even no actual, physical television?

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6 Sep 2013 // 2:15 AM

Family Guy’s Sunday Services

Whereas The Simpsons makes an effort to balance its religious satire with pro-spiritual representations, Family Guy largely regards organized faith as wholly corrupt and its believers as dupes and dopes.

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Every Era Gets the Monster It Needs, and Ours Is the Era of the Zombie

The images of humans imprisoning themselves in The Walking Dead speak poignantly about a world in which walls seem like an answer to the threat of those masses of bodies on the other side.

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27 Aug 2013 // 10:30 PM

In Defense of Fox Sports 1

After months of hype and expectation, Fox Sports' latest go at giving ESPN legitimate competition got off to a respectful start. The network's timing was perfect.

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Cult TV: Three Shows You Should Be Watching

Consider watching these true originals before American remakes completely ruin them or force them back into hiding underground.

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What Happens When Hollywood Film Production Meets Social Media?

For the first time in cinema history, Hollywood has enabled social media users to contribute to the artistic properties of films, thereby earning them co-authorship… of sorts.

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“I Can’t Do It, Mr. White”: When Education Tastes Like Los Pollos Hermanos

Walter White as aged teacher and Jesse Pinkman as retired student grow to be somewhat of a family for each other, but the way in which Jesse learns and applies himself shows that Breaking Bad's theme of learning goes deeper than one might initially think.

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“Say My Name”: Mythologizing Heisenberg As an Allegory for the American West

Once a viewer starts tuning into the subtleties of those affected by the collateral damage of Walt/Heisenberg's victories, it's hard not to read the show as a satire that challenges us to rethink our romanticized assumptions about American Westward conquest.

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Go Home, Walter: The Case for Gustavo Fring as the Greatest Villain in Television History

Gus Fring has earned his spot in the all-time Villain Hall of Fame. It his unexcitable demeanor when enraged that makes him unpredictable and highly volatile to be around, and that's exactly what you want in a good antagonist: never knowing what he is going to do next.

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‘The Big Bang Theory’ and the Rise of the Pathologically Nerdy in Sitcom TV

In The Big Bang Theory, men of the knowledge economy find themselves at the top of a power ladder, which in no way represents the old torments of the schoolyard.

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It’s All About the Weight, Yo: A Meditation on Jesse Pinkman’s Long Road Down

By the time Season Five came around, Jesse hadn't only changed, he became the moral center of Breaking Bad. His journey, grim as it is, is one of the show's most compelling arcs.

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A City in the Desert: Landscape and ‘Breaking Bad’

From cinematography to editing, each episode of Breaking Bad feels meticulously crafted, the director's authorial hand ever present to lead the viewer through the story. Every shot is as precise and deliberate a storytelling tool as the scriptwriting or the actors" performances.

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An Interview with Lance Bangs of Young Americans

Celebrated filmmaker Lance Bangs discusses the second season of his insightful Vice show Young Americans and his flexibility as a filmmaker.

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Robber Barons and Meth Empires: Heisenberg and the American Dream

Looking at Heisenberg through the lens of capitalism, what he does and accomplishes is remarkable in comparison to what we see happen on a daily basis these days.

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Breaking Bad Frame-By-Frame: Season Five (Part 1)

With the greatest villain of all time finally defeated, Jesse, Mike, and the rest of the White's all come to the same realization: in a post-Fring world, the man who killed him has become the true terror.

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In Defense of ‘Breaking Bad’s’ Skyler White

Given the amount of loathing the character has had to endure in Breaking Bad, few realize that Skyler is so much more than what she appears to be.

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Breaking Bad Frame-By-Frame: Season Four

Breaking Bad's Fourth Season may also be considered by some to be the slowest, but that's largely because after an explosive opening, things slowly burn and simmer until the stunning reveal of "Crawl Space" and the terror that follows it.

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Breaking Bad Frame-By-Frame: Season Three

Gus Fring. The Cousins. Poor, poor Gale. As the stakes increase, so do the perils (and number of flies), and Walt soon realizes that he's under the command one of the most terrifying villains in television history.

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Thomas Golubic: The Master of the Scene

Breaking Bad, The Walking Dead, Six Feet Under, The Killing, and now Showtime's Ray Donovan. What do they all have in common? All bear the creative mark of Thomas Golubic, the music supervisor who has been quietly and powerfully shaping the storytelling world of cable television for the past decade.

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When I Heard the Learn’d Astronomer: Gale Boetticher As Alternate-Universe Walt

Few characters in the history of television have arrived as fully and oddly formed as Gale Boetticher did during Breaking Bad's Third Season.

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More Recent Features
//Mixed media
//Blogs

Could 'Heroes Reborn' Be the Stealth Reboot the Series Always Needed?

// Channel Surfing

"Heroes: Reborn looks like what the original Heroes could have been in an alternate, better universe.

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