Tuesday, November 8 2011
Though Six Feet Under does perceptibly depict Ruth attempting to find herself outside of her at time stifling domestic role, she ultimately finds her fulfillment and passion through her role as mother and in her relationships with her children.
Monday, November 7 2011
A decade on, Ruth Fisher, the deceptively buttoned-down, wildly unpredictable matriarch on Six Feet Under, remains a singular representation of motherhood on television.
Sunday, November 6 2011
The tumultuous, but loving, relationships within the Fisher family illustrate Six Feet Under's complex and often contradictory views of the well-lived life.
Thursday, November 3 2011
Two specific sequences from two separate episodes of Six Feet Under illustrate the show's complex and sophisticated use of popular music as both dramatic dramatic device and cultural signifier.
Wednesday, November 2 2011
The use of a symbolically coded color palette in Six Feet Under adds a subtle dimension of depth to an already complex and rich array of characters.
Tuesday, November 1 2011
Six Feet Under brought the stark, unglamorous realities of death and dying into living rooms, and shed light on the often times vicious business of the funeral industry.
Monday, October 31 2011
Six Feet Under went straight for the jugular of the American Dream, daring to suggest it less an ongoing embarrassment of riches, more a shame-filled endurance of unease.
Sunday, October 30 2011
Kicking off our Six Feet Under series... Like its fellow HBO series, Six Feet Under blurred genre categories, merging elements of soap opera and serialized broadcast dramas alongside nods to art-house cinema and modernist theater.
Monday, October 3 2011
William Shatner, Captain Kirk, Cultural Icon Extraordinaire. Shatner Rules. Like all great American actors – he’s not American. We’re not even sure he’s human. We’re certain, however, that he’s The Captain of Everything -- not least PopMatters 20 Questions.
Monday, September 26 2011
MTV’s central role in delivering grunge to a national audience in the early 1990s demonstrated the network’s power as a creator and definer of culture, and the reaction of many of grunge’s iconic figures against the video medium revealed the gulf between principle and reality.
Wednesday, September 21 2011
Michael Ian Black -- of The State, Stella, and Michael & Michael Have Issues fame -- discusses his new album, Very Famous, and connecting to people through sad, sad conversations ...
Monday, September 19 2011
With a Showtime special behind him and his new album out now, Patton Oswalt speaks to PopMatters and manages to fit in The New Yorker, Penthouse, and Acme Novelty Library in a single sentence.
Wednesday, September 14 2011
Viewers of daytime TV are perceived to be losers in need of services (mostly legal), because they don't seem willing to make long-term decisions or capable of helping themselves.
Monday, September 12 2011
The "rich" and "famous" are NOT like us... at least not on TV. Reality 'stars': Whether we love them or loathe them, if we watch them, they win.
Sunday, September 11 2011
The many documentaries on 9/11 show that this is what the day has been and remains, history conveyed by images, history reconfigured to shape what comes after, history that is perpetual.
Tuesday, September 6 2011
On Bitchin' Ktichen', Nadia G. cooks up culinary comedy while taking on and upending the televisual and societal conventions of the traditional cooking show format.
Wednesday, August 17 2011
This year's new shows include fewer straight up procedurals about cops, doctors, and lawyers than usual. And only a few comedies involving young people cohabitating in urban environments. We've got the video previews here along with what to watch and what to miss.
Monday, August 8 2011
Jon Polito’s mug is so familiar that he almost feels… familiar, like the merchant at the corner store, the beat cop in your ‘hood, or the local mobster. Yeah that's it, the local mobster.
Sunday, August 7 2011
It’s one of entertainment's must cutthroat tryouts. The modern TV viewer knows what they want. Failure to deliver on such expectations can spell doom for a new program.
Tuesday, August 2 2011
"You can’t have drunk bicycle messengers, it would be too dangerous and these were real businesses with reputations on the line." What’s interesting about Triple Rush is not the show itself, but why the show foundered and what this reveals about audience’s expectations from reality TV shows today.