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Thursday, April 14 2011

Can’t Stop the Serenity: Taking Fan Activism to the Next Level

A member of Whedonites United, a Tennessee group associated with the Can't Stop the Serenity movement, explains how a group of fans of Joss Whedon and the film Serenity takes fan activism to a new level by actively trying to make the world a more humane and just place.


Wednesday, April 13 2011

Six Reasons Why Joss Whedon Is the Perfect Director for ‘The Avengers’

It was announced last year that Joss Whedon would direct the most ambitious superhero movie ever, teaming Iron Man, the Hulk, Thor, Captain America, Black Widow, and Hawkeye all in one enormous film. Matthew Hurd thinks Whedon was the perfect choice.


Tuesday, April 12 2011

Joss Whedon: Pioneer of the Body Count

Among Joss Whedon's greatest contributions to television has been the continual use of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger.


Monday, April 11 2011

The Power of Fandom in the Whedonverse

While viewers watch television and film for entertainment, it's easy to forget that these media are industries. In this essay the changing relationships between creators, studios, distributors, and an increasingly active fandom are examined.


Sunday, April 10 2011

The Dystopian Future in Joss Whedon’s Work

In contrast to the utopian vision of the future found in sci-fi series like Star Trek, Joss Whedon's creations show a different vision of the future. And it isn't pretty.


“It Will Change the Genre Forever”: An Interview with “The Walking Dead’s” Jeryl Prescott

"It seemed like an odd marriage: Frank Darabont and AMC ... and zombies." Jeryl Prescott talks about how her Southern roots prepared her for this story of zombie apocalypse in the South.


Thursday, April 7 2011

The Big Bad Universe: Good and Evil According to Joss Whedon

Most of Joss Whedon's work has been characterized by Big Bads. But the lines separating Good and Evil are more complex than one might expect.


Wednesday, April 6 2011

‘Buffy’ and ‘Dollhouse’: Visions of Female Empowerment and Disempowerment

While Buffy has been universally acclaimed as a great work of TV feminism, Dollhouse has been denounced as anti-feminist. But have the critics of Dollhouse been too quick to dismiss its feminist credentials?


Tuesday, April 5 2011

TV’s Grim Reaper: Why Joss Whedon Continually Kills the Characters We Love

Among Joss Whedon's greatest contributions to television has been the invention of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger. This is the first of two essays examining Joss Whedon as a televisual mass murderer.


Monday, April 4 2011

Love Hurts, or, Why Buffy Couldn’t Find Love

Unlike most teen shows, Buffy the Vampire Slayer wasn't constructed around romances. And while viewers followed her epic romances with vampires Angel and Spike, whether or not she would ever find true love was never really the point of the show.


Sunday, April 3 2011

Zombies, Reavers, Butchers, and Actuals in Joss Whedon’s Work

Zombies have been one of the more popular monster types in films and television in recent decades following the popularity of George Romero's Night of the Living Dead. Joss Whedon's somewhat different take on the Zombie in his various projects is here examined in detail.


Thursday, March 31 2011

Nathan Fillion Misbehaves All Across the Whedonverse

Both because of his several roles in Joss Whedon series and because of his extensive interaction with fans, Nathan Fillion has emerged as one of the best-loved actors in the Whedonverse.


Identity and Memory in ‘Dollhouse’

While all of Joss Whedon's shows examine the nature of personhood, none does so to the degree of Dollhouse. Here the role of memory in establishing identity is examined.


Wednesday, March 30 2011

Personal Identity in Joss Whedon’s Shows

All of Joss Whedon's shows raise questions about personal identity. Here several major characters from the Whedonverse are subjected to a philosophical analysis.


De-Normalize Your Brain: Charlie Sheen as Prophet

Sheen is the new psychic outlaw. He is a psychopathic prophet warning of the dangers, lunacy, and criminality of the mainline media and everything they stand for. No wonder he looks so crazy.


Tuesday, March 29 2011

‘Dollhouse’, Fox Television, and Cultural Fragmentation

In an age of a deeply fragmented television audience, did Fox Television make a mistake in trying to market Joss Whedon's Dollhouse to a general audience instead of the niche audience that represents Whedon's fanbase?


Monday, March 28 2011

Consequence and Change in the Works of Joss Whedon, and Why It Matters

In many television series, the actions of characters neither have long-term consequences nor cause long-term change. For Joss Whedon actions always have consequences and often change the show's narrative.


Joss Whedon 101: Dollhouse

Dollhouse is in many ways Joss Whedon's most challenging and most cutting edge show, trying to deal with issues that are rarely or never addressed on television. With low ratings making a third season unlikely, Joss Whedon and his writers packed the second and final season with several seasons' worth of story arcs, resulting in one of the richer narrative arcs found on TV.


Sunday, March 27 2011

‘Doctor Horrible’: Lessons from the Musical-Tragi-Comedy-Internet Sensation

Dr. Horrible repeats many of the themes found in Joss Whedon's television series. Here we are reminded of three "lessons" found in other creations.


The Night Billy Buddy Died: Dr. Horrible’s Tragicomic Inversion of Spider-Man

The accidental death of Penny, the girl Billy Buddy aka Dr. Horrible loves, has parallels to the deaths of several comic book deaths, though none so much as the death of Spider-Man's girlfriend Gwen.


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