Tuesday, March 8 2011
In Buffy the Vampire Slayer Joss Whedon intentionally set out to blur the boundaries between genres, creating a show that was part drama, part comedy, part horror, part SF, and very definitely part fantasy. Here "Buffy" is analyzed in terms of nature as fantasy.
Buffy the Vampire Slayer has been praised for its use of language. Most investigations have focused on the use of language by Buffy and the Scoobies. Here the vampires get their due.
Monday, March 7 2011
Whatever else that Joss Whedon achieves in his career, he may forever best be known as the creator of one of the landmark series in TV history, as well as one of TV's most iconic characters, a blonde cheerleader turned vampire slayer named Buffy.
Xander Harris was the member of the Scooby Gang on Buffy the Vampire Slayer positioned as the one most like us, the most average, everyday individual among a group of exceptional members. Kyle Garret argues that later arcs in the series undermined this role for Xander.
Sunday, March 6 2011
Taking aim against critics of Buffy who see pervasive evidence of sexism, racism, ageism, and class bias, Ronald Helfrich looks at some of the lessons concerning interpretation that Biblical studies can better inform our readings of Buffy.
Thursday, March 3 2011
PopMatters will, over the next five weeks, publish almost 60 essays and/or interviews on pop cultural icon Joss Whedon. So just what has he done that is worthy of such attention, and why should we care?
Proving that from small things great things come, the path breaking, critically adored 1997 television series was preceded by the critically abhorred, terminally silly 1992 film.
Thursday, February 24 2011
As both a desired endgame to the American dream as well as the tragic flaw underlying that dream, the mythology of J.F.K. crops up on multiple occasions in The Sopranos to show the self-contradictions of the show’s characters.
Monday, February 14 2011
Amidst all the tributes, over-the-top performances, and CBS-centric presenters, the Grammy ceremony only occasionally remembered to hand out an award or two. But when it did, the results were often surprising ...
Wednesday, February 9 2011
The early-'60s -- Mad Men time -- has become a source of endless fascination in popular culture. Timothy Ledwith investigates the many uses of nostalgia.
Thursday, February 3 2011
Although many fans, critics, and scholars have compared some television series to novels -- though perhaps none more than HBO's The Wire -- Cynthia C. Scott challenges the analogy
Wednesday, January 19 2011
Lynnette Porter explores the many dimensions of the growing international popularity of Doctor Who, and the very different fandoms in Great Britain and the rest of the world.
Monday, January 17 2011
Frontman Keith Slettedahl recently called in from sunny California to talk with PopMatters about their new album, new priorities, and the band's continuing presence on silver and small screens.
Wednesday, January 12 2011
On Christmas 2010 the US got to participate in an ongoing UK tradition, the annual Doctor Who Christmas episode, instead of seeing it a few week's later as in past years. Lynnette Porter explores what this reveals about the show's growing popularity in the US.
Tuesday, January 11 2011
Running the gamut from the ever-present to the new and novel, PopMatters' TV picks prove that, as a medium, the small screen challenges the big at every entertainment (and aesthetic) level.
Monday, January 10 2011
It was difficult to turn on your TV this past year without seeing the undead... make that the undead and Betty White.
Thursday, January 6 2011
Secret, usually evil, plots dominated TV drama in 2010, from Lost, Rubicon, and Persons Unknown to 24, V, Flashforward, and Terriers.
Wednesday, January 5 2011
As the medium continues to struggle with significance in the steady "streaming" of the 21st Century, here are PopMatters' picks for the best the format(s) have to offer.
Monday, January 3 2011
As if it wasn't already a lamentable leisure time suck, here are ten more reasons why TV rules our daily routine - perhaps more than it should.
Thursday, December 23 2010
The TV versions of Rudolph, Santa, and Frosty are chaotic, freewheeling, and anarchic -- closer in spirit to Heath Ledger's Joker than to Bing Crosby's Father O'Malley.