Recent Features
Characters Inside Out: Bryan Elsley’s ‘Skins’ and William Shakespeare’s ‘Hamlet’

Hamlet would have fit right in with the Skins kids; in particular, he would have found a friend in Effy, from Generation 2. Both question the nature of their worlds, both grow melancholic.

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Celebrity and the Celebration of Art: The Transformation of Benedict Cumberbatch

Benedict Cumberbatch’s body of work is impressive. So what has previously prevented his transformation from a highly talented, sought-after actor to bona fide international celebrity?

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Shoot the J!: Negotiations of Blackness and Normalcy in The Fab Five

Looking back at the Fab Five’s reign in the early '90s, it was framed by numerous moments in blackness, including the burgeoning crossover of hip-hop music and culture into mainstream “white” America, Rodney King’s beating, the ‘hood genre in film, and Michael Jackson’s vitiligo.

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Why Do So Many Aliens Look Like Tony Blair?

The unfamiliar will only find acceptance if it is expressed in familiar terms; thus, aliens "...may have bulbous heads and triangular eyes, speak in a chillingly robotic monotone or emit a strong stench of sulphur, but otherwise they look much like Tony Blair."

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“Fighting What’s Right in the World”: An Interview with Tim Heidecker

Heidecker and Wood have now turned their form-rattling attention to a strictly musical genre: soft rock. Starting from Nowhere is a hilarious and totally authentic sounding collection of songs that could have been beamed in from the 1970s or 1980s AM dial.

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How TV Ruined Charlie Brooker

Everything the media told us we now had to question, because Charlie Brooker showed us the truth. But hearts were broken when television's biggest critic was seduced by the boob tube's charm.

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14 Apr 2011 // 9:00 PM

“I’d Very Still”: Anthropology of a Lapsed Fan

Joss Whedon has not only created great shows; he caused fans to reach out to other fans to share their mutual enthusiasm for shows and for specific characters within shows. Here Lily Rothman writes of her involvement with others who came together thanks to Oz from Buffy the Vampire Slayer.

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14 Apr 2011 // 9:00 PM

Whedon and Company: Worlds Await

The formal creation of Buffy Studies -- and therefore Whedon Studies -- was born with the creation of the online journal Slayage 10 years ago. Here the coeditor of Slayage, Rhonda V. Wilcox, offers some reflections on our obsessions with the output of a certain TV creator.

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Can’t Stop the Serenity: Taking Fan Activism to the Next Level

A member of Whedonites United, a Tennessee group associated with the Can't Stop the Serenity movement, explains how a group of fans of Joss Whedon and the film Serenity takes fan activism to a new level by actively trying to make the world a more humane and just place.

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Six Reasons Why Joss Whedon Is the Perfect Director for ‘The Avengers’

It was announced last year that Joss Whedon would direct the most ambitious superhero movie ever, teaming Iron Man, the Hulk, Thor, Captain America, Black Widow, and Hawkeye all in one enormous film. Matthew Hurd thinks Whedon was the perfect choice.

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Joss Whedon: Pioneer of the Body Count

Among Joss Whedon's greatest contributions to television has been the continual use of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger.

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11 Apr 2011 // 9:00 PM

The Power of Fandom in the Whedonverse

While viewers watch television and film for entertainment, it's easy to forget that these media are industries. In this essay the changing relationships between creators, studios, distributors, and an increasingly active fandom are examined.

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10 Apr 2011 // 9:00 PM

The Dystopian Future in Joss Whedon’s Work

In contrast to the utopian vision of the future found in sci-fi series like Star Trek, Joss Whedon's creations show a different vision of the future. And it isn't pretty.

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“It Will Change the Genre Forever”: An Interview with “The Walking Dead’s” Jeryl Prescott

"It seemed like an odd marriage: Frank Darabont and AMC ... and zombies." Jeryl Prescott talks about how her Southern roots prepared her for this story of zombie apocalypse in the South.

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The Big Bad Universe: Good and Evil According to Joss Whedon

Most of Joss Whedon's work has been characterized by Big Bads. But the lines separating Good and Evil are more complex than one might expect.

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‘Buffy’ and ‘Dollhouse’: Visions of Female Empowerment and Disempowerment

While Buffy has been universally acclaimed as a great work of TV feminism, Dollhouse has been denounced as anti-feminist. But have the critics of Dollhouse been too quick to dismiss its feminist credentials?

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The Last Time I Saw Paris

Paris Benjamin is a working actor in Hollywood, a long way from her acting roots in France and the UK. Her recent experiences on the sets of TV series and films shine a spotlight on the US and European entertainment industry.

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TV’s Grim Reaper: Why Joss Whedon Continually Kills the Characters We Love

Among Joss Whedon's greatest contributions to television has been the invention of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger. This is the first of two essays examining Joss Whedon as a televisual mass murderer.

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4 Apr 2011 // 9:00 PM

Love Hurts, or, Why Buffy Couldn’t Find Love

Unlike most teen shows, Buffy the Vampire Slayer wasn't constructed around romances. And while viewers followed her epic romances with vampires Angel and Spike, whether or not she would ever find true love was never really the point of the show.

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Zombies, Reavers, Butchers, and Actuals in Joss Whedon’s Work

Zombies have been one of the more popular monster types in films and television in recent decades following the popularity of George Romero's Night of the Living Dead. Joss Whedon's somewhat different take on the Zombie in his various projects is here examined in detail.

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More Recent Features
//Blogs

Why Novelist Richard Price Doesn't Need a Pseudonym

// Re:Print

"The language and dialogue in his latest novel, The Whites, gives away his identity -- and that's a good thing.

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