Simple
Bryan Brown makes a great baddie. "Stick with me, son,
and I'll make you a star," says super bartender Brown
to his young protégé Tom Cruise in the 1988 film
Cocktail. But when Cruise falls for Brown's
beautiful daughter (Elisabeth Shue), things spiral out
of control for everyone involved. In Risk,
Brown tells another young protégé, Ben Madigan (Tom
Long of The Dish): "Stick with me, son, and
I'll look after ya." In a familiar turn, Ben falls for
Brown's girlfriend and things again spiral out of
control. This time, though, the setting is not the
sexy beach bartending scene, but the less than
glamorous world of insurance.
Straight out of college and with little to do, Ben
joins the team at a Sydney insurance agency called
UAI, hoping to "help people." It's clear from the
get-go that Ben's deluded, and that his inexperience
will get him into trouble. Enter John Kreisky (Brown),
UAI's most notorious claims adjustor. Seeing in Ben an
easy target, he takes advantage of his naiveté,
convincing him to take part in an "experiment" that is
sure to make the two of them very rich.
The scam seems quite simple: visit those affected by
road accidents and tell them that if they proceed with
their claims against UAI in court, they will end up
losing a lot of money and spend much their recovery
time dealing with crooked lawyers. Instead, Ben
persuades them to settle for 80% of their entitlement,
saving them both time and energy. The settlement also
saves UAI the other 20%, from which Ben makes a tasty
profit. Ben soon finds out that not only is Kreisky
ripping off clients, but UAI itself. Ben's morality
kicks in, and he attempts to extract himself from the
shady dealings. Kreisky responds by upping the stakes,
enlisting the help of fellow scam artist Louise
Roncoli (Claudia Karvan) to loosen Ben up. She seduces
the kid into a world of fast sex, fast cars, and
expensive restaurants: soon he's letting his ethics
take a back seat.
Like Michael Douglas, Kevin Spacey, Alec Baldwin, and
even Ben Affleck, Brown uses his role as nefarious
salesman to full advantage. As Kreisky, he struts
about the film, posing wickedly. So obvious is his
bad-guy attitude that Ben looks more than a little
slow on the uptake as to his mentor's intentions. He
blindly accepts Kreisky's assertion that he is doing
nothing illegal and that all involved "get what
they're owed." It's not long before Ben changes his
mind about the insurance company, deciding that it
deserves to be bilked and happily accept the
"benefits" that come with the "experiment." But while
Ben is surely naïve, his devotion to Louise simply
isn't credible: she has a habit of getting Ben into
trouble, and her "unprofessional" relationship with
Kreisky is evident from the start (even Ben has some
idea of it).
It's hard to root for Ben because we never really know
what he wants. He's a conflicted guy, and should be,
therefore, an intriguing character, but instead, he
just comes across as an idiot. He lets both Kreisky
and Louise walk all over him and, because he hates
what he's doing all along, his ultimate betrayal of
his partners doesn't surprise us. Ben has the
potential to be simultaneously tough and sweet, moral
and manipulative, but instead, he fumbles around and
does what he's told. He goes from wanting to help the
victims of insurance scams to wanting to help the
scammers get out of their own big bind, with no clear
motivation for either impulse.
Such character contrivances are especially hard to
overlook because the role so clearly wastes the
talents of Tom Long. He is an appealing combination of
Guy Pearce and Hugo Weaving, with a wide-eyed
innocence that seems to hide great intensity, but he
has no chance to demonstrate his abilities here (he
only has one opportunity to stretch here, in a
confrontation with Louise).
Risk, while at times entertaining, is never the
morally complex and emotionally charged film that it
might have been. It lacks the human and even the
business details that drove one obvious predecessor,
Boiler Room, another movie where the central
character, Seth (Giovanni Ribisi), becomes what he
hates before taking his corrupt bosses down.
Risk unfortunately chooses to linger on the
corrupt bosses and their scams, and oftentimes becomes
a showcase for Brown's bad guy bravado, leaving too
little time to develop its own central, and more
important, character, Ben.