I'm a Believer
The Rookie surprised me. Though it's G-rated, and
contains no cussing, violence, or sexual "situations," and
though it might appeal to kids, it's about adults and, I
think, for adults. After all, its tagline reads, "It's
never too late to believe in your dreams." This hardly
seems a pitch for the 12-and-under crowd.
Based on Jimmy Morris's autobiography, The Oldest
Rookie: Big-League Dreams from a Small-Town Guy,
co-authored with Joe Engel, the film tells the story of a
high school chemistry teacher from Big Lake, Texas, who at
36 tried out as a major league baseball relief pitcher and
made it. Jimmy had played major league ball earlier in his
life, but quit because of repeated injuries to his pitching
arm. The film begins as Jimmy (wonderfully portrayed by
Dennis Quaid) is living a "responsible" life, raising his
family, teaching, and coaching the baseball team. When he
notices that his players tend to give up when they are
losing, he gives them a rousing (if typical) pep talk,
culminating with the admonition, "If you don't have dreams,
you don't have anything." The kids turn Jimmy's words back
on him, accusing him of giving up on his own dream to play
major league ball, then make him an offer: if they make it
to the state playoffs, he'll try again.
The outcome of this deal is no mystery (it's not called
The Rookie for nothing), but it's entertaining and
exciting, much like Rudy or The Replacements.
Even if there's never any doubt the underdogs will win, it
always seems like a close call. And in The Rookie,
we get to experience this tension twice, first as the Big
Lake Owls make their State Championship bid, and then when
Jimmy tries out and plays for the minor leagues, before he
makes it all the way to the Tampa Bay Devil Rays.
The conflicts here are familiar, but The Rookie
presents them admirably and resolves them without sap
overload. Throughout, Jimmy is torn between desire and
responsibility, his past dream and his present reality.
What type of father should he be? Will he be more of a hero
to his family if he's on a baseball card or home every day,
helping with homework? Should he teach his adoring young
son Hunter (Angus T. Jones) by example, to go for his
dreams whatever the cost? Or should he be like his own
father, Jimmy Sr. (Brian Cox), who admonishes, "It's okay
to think about what you want to do, until it's time to
start doing what you are meant to do"? The Rookie
complicates all this when it becomes clear that Jimmy Jr.
is, at least to some extent, "meant" to be a major league
pitcher.
While he's appropriately torn when it comes time to choose
between his baseball career and a better paying science
teacher job in Fort Worth, he's (temporarily) off the hook
when his wife, Lorrie (Rachel Griffiths), makes the
decision for him. At first, she aligns herself with Jimmy
Sr., but one night she has one of those supportive movie
wife revelations. Looking at Hunter as he sleeps, his
bedroom wall plastered with baseball cards, she decides
that Jimmy should pursue his dream, and she'll hold things
together at home while he is on the road.
It's worth wondering about the film's treatment of Lorrie.
All its attention to Jimmy's dreams might make her look
like an altruistic superwoman, capable of shouldering all
the family responsibilities so that he can recapture his
youth.
When she asserts that she's "a Texas woman" and so, doesn't
need a man around, her teary smile suggests she's only
saying this to ease Jimmy's guilt. And if we recall Jimmy
Sr.'s motto, Lorrie's position is further complicated: the
question isn't simply about what are we are "meant" to do,
but also, who means for us to do it and who might be
affected by our doing it.
This layering of responsibilities inevitably leads to
crisis. Despite unwavering love from the wife and kids,
Jimmy never seems 100% comfortable with his decision,
appearing somewhat sad and homesick. This, naturally, makes
us like him all the more and serves to convince us (or
maybe him) that, at bottom, he's a devoted husband and
father, even if he is on the road for three months at a
time. That tagline -- "It's never to late to believe in
your dreams" -- is not so straightforward as it might
sound.
In the end, both fathers -- Jimmy Sr. and Jimmy Jr. -- have
to come to terms with the complications of their choices.
Jimmy Sr. shows up at his son's first major league game and
Jimmy gives him the game ball as a gesture of forgiveness,
maybe, or a new beginning. Pretty typical stuff,
admittedly, but the interaction between the two is awkward
(and I mean this as a compliment). Thankfully, The
Rookie doesn't insult us by solving all their problems
with one big tearful hug, showing us instead that the two
make a move in the right direction, i.e., toward eventual
reconciliation. Despite the promise of healing, Jimmy Sr.
still walks off alone and isn't instantly elevated to "good
dad" status just for showing up at one baseball game.
The film notes at the end that Jimmy played major league
ball for two years before retiring and moving back to
Texas. Both Quaid and the real Jimmy Morris appeared on
Larry King Live recently to promote the film. After
poor Dennis endured still more questions about his split
with Meg Ryan, the real Morris explained that he actually
left the game because, one night, his son asked him, "When
are you coming home?" At that point, he told King, he
walked away from his life-long dream (this despite the fact
that his old injuries flared up again, and he was unable to
continue). The film doesn't give any reason for Jimmy's
leaving the game, perhaps because doing so weakens the idea
that Jimmy is meant for baseball and raises the
possibility that maybe his father was right, and playing
baseball was just something Jimmy wanted to do.
Ultimately, The Rookie is a fairy tale, vaguely
moralistic and overtly inspirational, with the requisite
happily-ever-after. We are meant to love and admire Jimmy,
to see him as an awesome husband, teacher, coach, father,
and teammate, maybe even to look up to him like his son
does. More than that though, we encouraged to ask if, in
the end, our desires are what we are meant for after all.