Playing the Wood
During opening week for The Wood, MTV ran a game show based on
the movie or more precisely, based on promoting the movie, as
it was an MTV production. The game show was called "Playing the
Wood," all sexual innuendoes fully intended, and the premise was
that contestants revealed past embarrassments pertaining to
sexual activities, displays, and desires, fulfilled and not. The
girls wore bikinis and big fat platforms, the boys wore trunks,
and MTV VJ Ananda Lewis asked questions while in-house audience
members squealed and tittered at various humiliations, presumably
modeling behavior for those of us watching at home.
At intermittent points during the game, bare-tummied Ananda cut
to another location where The Wood cast members Omar Epps, Taye
Diggs, and Richard T. Jones came up with stories about their own
real life romantic embarrassments or on-set hijinks. Relaxing
with drinks and wearing designer summer-white outfits, the young-hunky
stars looked predictably beguiling and routine, stars being
trotted out to pitch their product. When they talked about the
movie, you got to see clips, usually involving them.
That the clips tended to show Diggs, Epps, and Jones, is
significant with regard to MTV's commercial savvy, because in
fact the film itself is less focused on them than on their
characters as they appeared in the '80s, that is, their characters
as high school students, when they are played by three other
actors, Trent Cameron, Sean Nelson, and Duane Finley,
respectively. Apparently, it has been determined that the prudent
promotional strategy is to overlook the kids and sell the young-hunks.
This suggests that the film's audience would be people
remembering the '80s as the time of their own youth, an idea
underlined by the introduction of each extended flashback with an
appropriately nostalgia-inducing 45 on a turntable. It also
suggests that the MTV appeal to young people who might be more
interested in Taye Diggs' beautiful abs than some relatively
ancient tune is a stretch.
The present-day story involves basic boy-bonding. In Inglewood
California, Mike (Epps) and Slim (Jones) are sent by parental
types to retrieve their homeboy Roland (Diggs) on his wedding
day. Seems that Roland is afraid to commit to his lovely bride-to-be
Lisa (LisaRaye, last seen in Ice Cube's The Players Club)
and has gone on a bender. As the three engage in sober-up
strategies (coffee, pizza, dry-cleaning to remove vomit from
their wedding suits), they reminisce. And so the plot spins.
The high school adventures have to do with sex, of course, as the
boys figure out how to imagine it, ask for it, and get it. Young
Mike (Nelson, who is excellent, extending the promise he showed
starring in Fresh in 1995) has a crush on Alicia (young version
played by Malinda Williams, present day version by Sanaa Lathan).
His efforts to get next to her are repeatedly thwarted by
various, formulaic factors, such as their mutually exclusive
social situations (he's a bit of a geek, she's the school beauty
queen), her unattainableness (her brother Stacey is a serious
gangbanger, played by De'Aundre Bonds) and his general
awkwardness (his mom and sister catch him as he practices dancing
and making out with a raggedy old teddy bear: childhood meets
adolescence, with the customary embarrassments).
Mike does win Alicia over, however, with his persistence and
emerging charm. And this would seem to be The Wood's central
aim, to show an alternative homeboyness, one in which he rolls
with his crew, doesn't shoot anyone, and gets the nice girl, as
well as one less unusual than viewers of 'hood movies might
guess. Written and directed by Rick Famuyiwa, based on a story by
Todd Boyd and combining their own high school memories the
movie treats Mike's coming-of-age escapades gently, with humor
and compassion, no bad-boy climaxes, no profound lesson to be
found in street violence (though the knowledge of its existence
and costs certainly hangs round the edges of what you see here).
Mike wins Stacey's respect when he distracts a cop who's pulled
them over and about to find a weapon in the front seat of
Stacey's car (authorities are depicted as obstacles and
imbeciles, certainly not role models). With Stacey's blessing,
then, Mike eventually becomes best friends with Alicia, which
complicates his efforts to get in her pants, but also
demonstrates his seriousness, as opposed to the carelessness
displayed by Slim and Roland, who are proto-players back in the
day. And yet, Mike's role modeling is less obnoxious than it
might be, mostly because Nelson is so engaging and confident as a
performer. The hunky boys are plainly the main draw for paying
customers, but Nelson makes their appearances seem less cliche
than they might have been.