The so-called postmodern self-references of the previous Austin Powers films here become epidemic, though more is not exactly better. It's just more. And it is repetitive.
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
'Ex Machina' and the Moral and Intellectual Facets of AI Development
Lianne La Havas: Blood
LA Priest: Inji
These '3-D Rarities' Are Relaxing and Refreshing to the Eye
Miles Davis: Miles Davis at Newport: 1955-1975: The Bootleg Series Vol. 4
Joe Satriani: Shockwave Supernova
'Timbuktu' Sends a Powerful Message About Jihadism
"This film feels like a template for subsequent multi-character airplane-disaster and crash projects, all the way down to Lost.