Citizen Kane
//Features

Extra Large Popcorn, Please: The Film Forum's "Return of the Double Feature" | 25 Aug 2016 // 9:30 PM

Originating as a practical means to ensure financial solvency, the “double feature” may now serve a more profound aesthetic purpose.

'Citizen Kane' Is a Labyrinth Without a Centre | 23 Oct 2013 // 9:14 PM

The labyrinth structure of the film calls for the audience to be shown a solution, the potential 'centre' of the film.

//Columns

Orson Welles: A Man of a Certain Ego | 4 Feb 2010 // 4:00 PM

“The chief proof of a man’s real greatness lies in his perception of his own smallness. It argues... a power of comparison and of appreciation which is in itself proof of nobility.”

//Reviews

'Citizen Kane: 70th Anniversary Ultimate Collector’s Edition': A Magnificent Visual Spectacle | 2 Dec 2011 // 7:30 AM

Prepare to be astounded, Citizen Kane in HD might be the most important Blu-ray release of the year.

//News

Is Donald Trump Charles Foster Kane in Disguise? | 31 Aug 2015 // 7:40 AM

Years ago in an interview with filmmaker Errol Morris, for a documentary project that never reached completion, Trump spoke of his love for the film “Citizen Kane,” the story of a famous and influential man who liked, as Kane himself put it, “to buy things".

After 70 years, the greatness of ‘Citizen Kane’ remains undiminished | 15 Sep 2011 // 1:30 AM

From a review of Orson Welles’ “Citizen Kane” at the time of its release in 1941: “Before ‘Citizen Kane,’ it’s as if the motion picture

//Mixed media
//Blogs

Measuring Success: The Unsatisfying Notion of "Good Endings" and "Bad Endings"

// Moving Pixels

"Sometimes stories need to end badly in order to be really good.

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