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Holy Motors

Features

Wednesday, December 18 2013

The Best DVDs and Blu-rays of 2013

As home video spins off into various immediate options -- streaming, simultaneous theatrical and digital release -- there are still many gems to uncover in the increasingly obsolete format.


Monday, January 21 2013

The Best Independent / International Films of 2012

When you think outside the box, it's amazing how novel and inventive your thoughts become. Same applies in film. These examples of beyond the mainstream moviemaking shine as creative and experimental entertainments.


Tuesday, January 8 2013

The Best Male Film Performances of 2012

From diabolical tech terrorism to brutal slave ownership, the actors that make up this year's best traversed a wide canvas of creative and cinematic choices.


Reviews

Thursday, February 28 2013

'Holy Motors' Is the Most Inventive Movie of the Last Two Decades

Holy Motors is a poem to the dying medium of celluloid, but like the greatest eulogies, it also fills the message with undeniable hope.


Thursday, November 1 2012

‘Holy Motors’ is Ultra Cinema!

Léos Carax's meta-meta-movie would be insufferable were it not for the keen humor and flickering strangeness.


Monday, May 28 2012

Cannes 2012: 'Holy Motors' and 'Moonrise Kingdom'

For all their films' differences in depth and address, both Wes Anderson and Leos Carax explore the playful possibilities of their chosen art.


Blogs

Monday, January 28 2013

Award Season Rewind: 'Holy Motors'

The end result is a joy ride through the ridiculous, a movie whose meaning may be lost in the manner in which it's approached.


Friday, October 19 2012

'Holy Motors': Life as Theater, Antic, Brilliant, and Sometimes, Academic

For all the mechanisms at work in Holy Motors, much like a carousel, the film delivers a ride that's always engaging and often thrilling.


Thursday, May 24 2012

Cannes 2012: Day 7 - 'Killing Them Softly' + 'Holy Motors'

Cannes rolls along with Andrew Dominik’s anticipated return, Killing Them Softly, and Holy Motors, the first film from Leo Carax in 13 years.


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