When the movie does work, it's more often than not because of Raymond J. Berry's understated rendering of the assassin as a simple, humorless man.
Jamie xx: In Colour
Tori Amos: Little Earthquakes / Under the Pink (reissues)
'Charlie's Country' Remembers and Lives Australia's Tragic Colonial Past
The Best in the Worst Circumstances in 'Old Man Logan #1'
Nobody Won the 'War for the Soul of America'
Simon Spence's Biography of the Happy Mondays Is 'All Excess'
Soak: Before We Forgot How to Dream
Shooting Back: Kamel Daoud's Reply to Albert Camus' 'The Stranger'
"Great Peacock's Southern indie anthems make the headliners for whom they open nervous. When the warm-up act has the crowd singing along, you know this emerging band will fly far.