All battlefields are haunted, alive with the spirits of those who have fallen in the name of war. It's too bad that this Korean horror film set during Vietnam decided to rely on clichéd creeps to fuel its frights.
Shooting Back: Kamel Daoud's Reply to Albert Camus' 'The Stranger'
Graham Parker and the Rumour: Mystery Glue
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
"Get a drink, have a good time now. Welcome to paradise, and read all about the 305th most acclaimed album of all time. An Australian plunderphonics pioneer is this week’s Counterbalance.