Shadows
//Reviews

John Cassavetes at His Most Intense, Searching and Experimental | 3 Dec 2013 // 2:10 AM

Cassavetes' aesthetic, both in front of and behind the camera, was less Method immersion than mad (as in gleeful) exploration, skirting the emotional edge without tripping into or wallowing in cathartic excess.

'The John Cassavetes Collection: Shadows & Faces' | 7 Jun 2012 // 6:00 PM

His characters don'tt have the dramatic stylization of Hollywood films, but they respond to the stimuli given by John Cassavetes' unusual shooting style, which doesn't let the actors know whether they are on frame or not.

//Mixed media
//Blogs

Double Take: 'The Public Enemy' (1931)

// Short Ends and Leader

"Maybe The Public Enemy is a swell dish. Or maybe it ain't so tough. The Steves take on the classic tale of beer and blood.

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