Wednesday, January 15 2014
Using Joshua Oppenheimer’s belief in the healing power of performance, mass murderer Anwar Congo creates a masterpiece of guilt and repentance that his director buys hook, line and sinker.
Sunday, January 5 2014
After a shaky start, 2013 ended up a stellar cinematic year, covering subjects as varied as young love, '70s (and '80s and '90s) con men, our country's horrific history of slavery, and perhaps most importantly, giant robots battling equally elephantine alien monster.
Sunday, December 22 2013
Sometimes, you have to travel a bit off the beaten path to find salvation from the onslaught that is the mainstream moviemaking machine.
Wednesday, January 22 2014
Caesar Must Die and The Act of Killing are experiments that mix fiction and reality in distinct ways in order to investigate the relationship between freedom and violence.
Wednesday, August 21 2013
The killers cite their fictional inspirations and recapture their personal memories, dressed in gangster or cowboy or pink dancing girl costumes, showing how they used a garrote or a blade to do their work.
Tuesday, April 30 2013
Should documentaries adopt the traditional story structure found in narrative cinema? Two films at SFIFF provide a powerful argument for why documentaries should be treated as much more than straightforward narratives.
Monday, August 26 2013
On the one hand, Congo and his pals are pure, unadulterated evil. Yet they all worked in a system which still embraces them to this day, to an ends where everyone agrees the means were justified.