The Best of The Awful Truth
//Reviews

The Best of The Awful Truth | 4 Sep 2006 // 6:00 PM

There are seeds of Moore's burgeoning, more focused agendas to be found here, and one gets the sense he only needed to break free of the instant gratification of television and return to long-form storytelling to be as incisive as his films show he could be.

//Mixed media
//Blogs

A Crooked and Unseen Highway: lowercase - "She Takes Me"

// Sound Affects

"The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

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