It's exceedingly good to see Luis Guzmán looking so vibrantly out of place in Kevin Reynolds' 'The Count of Monte Cristo'.
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
'Ex Machina' and the Moral and Intellectual Facets of AI Development
Lianne La Havas: Blood
LA Priest: Inji
"You pick your feet in Poughkeepsie, and we pick The French Connection for Double Take #18.