ThÉrÈse Raquin
//Reviews

Thérèse Raquin (1953) | 17 Jan 2006 // 6:00 PM

The movie opens and closes with the same overhead shot of Lyons. Carné, like Zola, emphasizes the ordinary tragedy of desperate city folk.

//Mixed media
//Blogs

Beyoncé and When Music Writing Becomes Activism

// Sound Affects

"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.

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