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Thursday, Aug 6, 2009
by PopMatters Staff
by Andrew O'Hehir
Salon (6 August 2009)

“Mumblecore almost immediately came to signify aimless, semi-improvised films about low-affect, self-absorbed, post-collegiate white people. (I actually can’t think of more than one or, max, two movies that meet all those conditions, but never mind.) More important, it became an excuse for people over 35, exhausted by the demands of our media culture, to congratulate themselves for ignoring low-budget independent films made by and about younger people.”

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