Thursday, Mar 4, 2010
by PopMatters Staff
by Lee Weston Sabo
Bright Lights Film Journal (February 2010)

“Despite their roots in a centuries-old tradition of Jewish humorists (and their surname), there is a surprising lack of explicit Jewishness in the Coens’ films. They do, however, still treat their characters with as much cynicism and anxious distance as more obviously Jewish comic filmmakers like Woody Allen do, which has led many critics — sometimes rightly, sometimes wrongly — to call them condescending. It’s easy — too easy — to imagine these two Jewish brothers scoffing at the idiotic Gentiles that populate their films, smugly robbing stylistic techniques from the more profound storytellers they studied in film school, and dismiss them as crass, sadistic snobs.”

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//Mixed media

Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

READ the article