Thursday, Feb 3, 2011
by PopMatters Staff
by John Roderick
Seattle Weekly (1 February 2011)

“Nowadays, in contrast, even a person professing to listen only to metal, who doesn’t like any other style of music, still has access to 30,000 possible metal bands spanning more than 40 years of metal history. He or she is unlikely to find even one other person who exactly shares his or her taste. Each listener becomes a tribe of one, the great diversity making it impossible to line up your taste with anyone else’s. There are fewer Saxon fans now, to be sure.

Some people might make the case that this lack of tribalism in music is a positive development. Obviously something’s been gained, especially by the generation of kids who have access to great music in an uninterrupted stream. All those teenagers whose parents played them Bach in the womb, who were raised on a steady diet of the Beatles and Beck, are surely the most musically literate generation in history. But as music becomes more of a commodity, the value of any one band or song declines.”

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//Mixed media

Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

READ the article