Call for Essays About Any Aspect of Popular Culture, Present or Past

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Friday, Apr 1, 2011
by PopMatters Staff
by Paul Tarpey
Amoeblog (17 March 2011)

“Assemble any metropolitan club history, from the Paradise Garage in New York to The Hacienda in Manchester, and the same details are arrived at: innovative DJs within a specialised environment create their own rules to soundtrack a communal experience while being spurred on by a dedicated crowd. These classic night spots build slowly and peak after a few influential years, leaving behind them reputations and energy flashed memories. The Irish files to be dusted off from this period contain sections marked Flikkers and Sides. In remembering the history of these Dublin dance clubs, we consider the roots of an Irish dance movement that is as important in its own place as those overseas mythical dance palaces with their own associated cultural legacies.


It’s a long way from the back seat of an Austin Morris in Mullingar in the 1960s. That seat was dismantled and taken each week into the local ballroom where it was found to have the perfect shock absorbers to balance the two record decks on the stage on which a bequiffed DJ warmed up the showband-expectant crowds with the best rock’n’roll singles he could find in Ireland at the time. The promoters of these romance-drenched ballrooms thought an extra spark could be created between the jiving couples by some buck spinning a few auld records. The yellowed photo of this forgotten pioneer now historically hangs in a Mullingar bar.”


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