Tuesday, Jul 12, 2011
by PopMatters Staff
by Michaelangelo Matos
The Record (NPR) (11 July 2011)

“Rave was America’s last great outlaw musical subculture: created by kids, for kids, designed to be impenetrable to adults. American rave formed its own mutant funhouse approach to existing looks, sounds and ideologies. In the early-to-mid-1990s, it was driven not by stars but a sudden collective sense that, as the Milwaukee rave zine Massive put it in every issue above the masthead, “The underground is massive.”

What better place for such a subculture to flourish than on the Internet?”


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Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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