Monday, Jul 18, 2011
by PopMatters Staff
by Elisabeth Greenbaum Kasson
Los Angeles Times Magazine (June 2011)

“A fact that’s been nearly lost to music history in general, and to Southern Californians in particular, is that from the 1940s right through 1960, our part of the state was well known for country music. We had our own unvarnished sound before Buck Owens and Bakersfield rose to prominence in the early 1960s. Merle Travis and Wynn Stewart may be our most famous exports, but be sure to check out Skeets McDonald, Molly Bee, Cliff Crofford and Billy Mize—and they’re just the tip of the iceberg.

The performances of that time have a vitality and authenticity that’s lacking in today’s Nashville product. Once you’ve been introduced to the canon of SoCal country, you’ll be hooked. For this, we can thank the scores of Dust Bowl and southern migrants, who in the 1930s brought their fulsome musical traditions to the Golden State. To accommodate these newcomers and the impulses of those who already lived here, dance halls and honky-tonks blossomed like California poppies.”

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//Mixed media


Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

READ the article