ROCK OF AGES
by Mark Dionne
PopMatters Book Critic
The fun list 100
Albums You Should Remove From Your Collection
Immediately from jaguaro.org
has been making the Internet rounds for a few months.
Although there are some easy targets, this isn't the
100 Worst CDs of All Time. It's more ambitious,
along the lines of 100 Praised and Widely-Owned CDs
that Should be Trashed, but I still find the
concept a little flawed. The theory behind the list
seems to be the silly, pernicious idea that your CD
collection has to be completely of the moment, each
and every moment. I mean, nobody turned against Jane's
Addiction and Nine Inch Nails faster than me, but I
would never deny that Nothing's Shocking (#44)
and Pretty Hate Machine (#24) had their moments
in the sun. I remember one spring (1989?) when
Nothing's Shocking was an incredibly exciting
disk. An even worse inclusion is Sonic Youth's
Daydream Nation (#49). For a long time -- and
maybe even today -- I would be suspicious of any large
CD collection that did not have Daydream
Nation. Or at least Sister. I'm no Beatles
fan and I don't own Sgt. Pepper (#74) or Let
It Be (#5), but the sight of them on somebody
else's shelf doesn't make me point and snicker either.
None of these albums are making waves today, but there
were certainly reasons to have them.
The list is based on the impulse to deny your musical
past. It's the opposite of the autobiographical album
shelving system in Nick Hornby's novel High
Fidelity. In Hornby's system -- which survived
from the book to the movie -- albums are lined up in
chronological order of purchase, putting the owner's
musical past on display. I'm perfectly willing to
admit that if I did this some Simple Minds CDs would
show up in the first foot of shelf space. So what?
Sometime in the mid-'80s I bought Simple Minds CDs.
This isn't a point of pride or anything, but I'm not
slinking off to the Used CD store under cover of
darkness because I'm afraid the neighbors might not
like Life In a Day either. Sure it's
embarrassing when the presence of some CD proves you
got suckered by some trend. Still, Death Cab for Cutie
(#18)? Has there been enough hype for this band to
justify a backlash? Maybe I'm just no longer traveling
in hip, college circles. A Death Cab for Cutie CD
would probably increase the coolness quotient of my
own CD collection.
I've even had CDs I've been too embarrassed to sell
back. Back in the days of disposable income, I was
hanging out with a girl in a record store and tried to
impress her with the obscurity of my music purchases
-- an act easily as fake as pretending you never owned
Nirvana's Nevermind (#3). I found a CD with a
cool punk-ish cover by a band with a cool name on a
label so independent I'd never heard of it. Turns out,
it was a skinhead band. I don't mean an Oi! band or a
straight-edge hardcore band. I mean a "Night of white
power" skinhead band with the purgings and the blood
purity and the worst power ballads in the history of
mankind. Now there's a CD you should be ashamed to
have on your shelf, which is why you break it into a
few pieces and slip it into the trash. Other than
actual Nazi albums or the need for cash, vigilantly
regulating the coolness of your CD collection to
perpetually reflect current tastes seems artificial
and dishonest. Pretending to be always in the moment
is the act of a poseur. How do you live like that? It
would have taken a lot of effort in, say, 1992 to
gorge yourself on Pearl Jam, Alice In Chains and Green
River CDs only to sell them back a few years later in
order to display Jay-Z, Snoop Dogg and Puff Daddy. The
autobiographical system would show that during the
grunge moment this alterno-boy got by with Nirvana,
Sebadoh and one Mudhoney CD. I did pretty good
avoiding the hype. If you sell back everything that
looks odd now, what will you do for nostalgia? Hell, I
guarantee I could get more people dancing at a party
with Simple Minds than you could with any damn emo
band.
The list strikes a chord because our CD collections
produce anxiety. Add up the square footage occupied by
your CD collection. Now if you were to hang a painting
that size on your wall, I imagine you'd select it
pretty carefully. I have friends who are incredibly
knowledgeable about music. One friend in
particular can recite obscure details from Kate
Bush's recording career, cite specific months when
members of the Beatles changed their hair, elaborate
on entire catalogs of songs that have never been
released and list everyone who entered the studio
during the recording of My Bloody Valentine's
Loveless. You know when he's over and looking
at a stack of my CDs I cringe and think, "That's the
stack with all the Joe Satriani's." Satriani, of
course, isn't even cool enough to have been praised
enough to make some hipster list of music that's not
as cool as everyone thinks. I have CDs that aren't
even cool enough to be overrated. Everyone with a live
Smithereens disk raise your hands. (What? Just me?) I
have two compilation disks sponsored by Stolichnaya
Vodka. I don't know where they came from. I may have
found them in a bargain bin and picked them up for one
or two songs. It's also possible that I drank enough
vodka the Stoli people started sending me free things.
Since it's the only place I have the Utah Saints I
have to keep them, even though I wouldn't want to be
judged on these disks alone.
I have an idea that might help everyone deal with the
fact that they weren't always- and aren't constantly-
music hipsters. I call it Double Deep CD Shelves.
These shelves would simply be twice as deep as normal
CD shelves so you can hide potentially embarrassing
CDs behind currently cool bands. Beth Orton and Spoon
sit in front of, and thus obscure, Dinosaur Jr. and
Dire Straits. Twice the storage, half the
embarrassment. Of course, the shelving system is also
fluid. If someone loses status, their CDs can slide
back. When someone becomes cool again, you don't have
to go through the trouble and expense of repurchasing
the CDs you sold back. Just slide them forward. You
could even divide an artist's oeuvre between front and
back shelves. Did you keep buying a band long after
they lost it? The edgy, promising early albums go in
front and the commercial, tired later efforts go in
the back and it looks like you knew exactly when the
inspiration vanished. The Double Deep Shelves would
let you customize your collection depending on your
visitors. When mainstream listeners are around, you
can keep them entertained and maintain your musical
integrity with accessible bands like the Strokes or
the Pixies. But if you've got a sneering hipster just
dripping with cred in your room, you can put the
Strokes CD behind your DoubleHappys CD and bitch about
how Is This It? is sooo over-rated and fake.
Obviously, somebody could go digging around in your
Double Deep shelves. I think I can R&D this problem
and come up with some sort of Deluxe Double Deep
Shelves with a false back. I'm not sure if I'd feel
guilty making money by preying on people's
insecurities, but I'm willing to find out. The budget
minded can go with the standard model and hope that
anyone digging around has their own CD embarrassments
or is such a bullying hipster they'd find something
anyway.
Now if you have friends like this -- think of Barry in
High Fidelity -- selling back your embarrassing
CDs might be the worst thing you could do. My friend
Chris bought not one, but two CDs by the Thrashing
Doves. In case you don't know (and why on earth would
you?) the Thrashing Doves were like a knock-off of the
Simple Minds fronted by a teenager clearly addicted to
helium and commercial jingles. They made Ultravox
sound like biker music. Owning these disks was just
quirky until Chris sold them back to a local store.
After that, my friends couldn't walk into that store
without someone pulling the Thrashing Doves out of the
used bin and shouting, "Hey Chris, didn't you used to
own these?" or "Chris, do you want to add to your
Thrashing Doves' collection?" Sometimes we'd try to
get the store clerk to play one of the disks over the
store speakers like Chris' personal soundtrack. Let's
face it: you have a musical past and it can't be
buried, no matter how strictly you might adhere to
lists like jaguaro.org's. The harder you try to look
cool, the harder your friends will try to dig up old
photos of you with your .38 Special T-shirt. It's that
simple.
If I can't get my Double Deep system on the market,
I'm going to go with Hornby's self-aware system. After
all, I wouldn't want to forget that I used to buy
Simple Minds CDs. I can still picture the younger
version of me doing that. In fact, if I listen
carefully I can hear him. "Don't you forget about
me." Hey, he can dance too!
18 September 2002