1.
Richard Ashcroft, Alone with Everybody (Virgin)
Ashcroft's work with The Verve solidified him as the single best songwriter of the 1990s; Alone with Everybody sets the bar for 21st century songwriting. Through a sublime combination of beautifully honest lyrics celebrating life and love and a heavenly blend of country, soul, and cosmic rock, Ashcroft created the most intelligent, poignant, and exuberant album since The Verve's own Urban Hymns.
2.
Sigur Rós, Agætis Byrjun (Fat Cat/Bubblecore)
Superstars in their native Iceland, Sigur Rós are a haunting and
captivating throw back to the ethereal space rock days of yore (i.e. early
Verve, Cocteau Twins, My Bloody Valentine), yet they simultaneously
maintain their own very forward-looking vision about the extents to which
music can travel. An irresistible aura of enchantment floats over each of
the 10 incredibly diverse tracks, proving that Sigur Rós is one of the
most promising bands on Earth.
3.
Primal Scream, Exterminator [XTRMNTR] (Astralwerks)
XTRMNTR is an album so angry, wrathful, and caustic that raw,
unfiltered anarchy explodes from the speakers in a barge of white noise
informed beats and bitter politically charged shrieks. It is not an
album to dance to, but an album to rebel to, to revolt to.
4.
Godspeed You Black Emperor!, Lift Your Skinny Fists Like Antennas to Heaven (Kranky)
GYBE!'s second full-length album is a towering 87-minute tour de force,
an epic in every possible sense. A nine piece Canadian instrumental
collective, GYBE! construct striking compositions that move slowly toward
an astounding climax in which heavenly delay-laden guitars, rich
enveloping basses, thundering percussion, and screaming strings all jostle
for space. Though the consistency of their profoundly moving music of
cinematic grandeur is somewhat lessened by the presence of aimless
sporadic noise bits and random tape loops, Lift Your Skinny Fists is
nonetheless a powerful and emotive album; at its best, it is a legitimate
soundtrack to the apocalypse.
5.
Yo La Tengo, And Then Nothing Turned Itself Inside-Out (Matador)
With this their 11th album, Hoboken, New Jersey's Yo La Tengo drifted
away from their former guitar-driven psychedelic noise pop, favoring an
atmospheric tapestry of gently flowing guitar, waves of soothing organ,
soft drum brushes, and the perfect harmony of soul mates Ira Kaplan and
Georgia Hubley's voices. It is the American equivalent of Alone
with Everybody: a smart and touching form of perfection.
6.
U2, All That You Can't Leave Behind (Interscope)
With each successive album, U2 have simply gotten better and better.
This trend culminated with 1992's Achtung Baby, and since then,
U2 have released a series of excellent albums. All That You Can't
Leave Behind is no exception. All of U2's patented best elements,
Bono's soaring passionate vocals, Edge's crystalline guitar lines, and
the rock steady rhythm section, coalesce perfectly here in a mood of
total elation and joy. All That You Can't Leave Behind is so
optimistic and exultant that if nothing else, it will bring a smile to your
face: a smile that you simply can't leave behind.
7.
Mojave 3, Excuses for Travellers (4AD)
One of the most consistent bands working today, England's Mojave 3, the
remnants of legendary shoegazers Slowdive, put out their best record to
date. A shimmering piece of exquisite neo-folk, Excuses for
Travellers proves that there is still room for a nice pedal steel tinged
melody or celebratory blast of horns in today's often sterile music
landscape. In addition, "Return to Sender" is one of the year's two or
three most beautiful songs.
8.
Radiohead, Kid A (Capitol)
Faced with ungodly expectations and hype, Radiohead put one of the most
satisfyingly experimental albums of the year. In spite of some brief
uninspired lapses, Kid A holds together quite well as an
exhilarating adventure in sound.
9.
Lambchop, Nixon (Merge)
Lambchop are my pick for the year's most improved band. Nixon
completely forgives them for their previous tired and bored dabblings
with classic country music. Throughout Nixon, lush musical
arrangements complement lead chop Kurt Wagner's intriguing lyrics and wholly
unique vocals, but what really propels Nixon is the glorious
presence of what Lambchop once sorely lacked: soul.
10.
Oat, Hoof (self-released)
Oat, the unsigned solo project of Livonia, Michigan's Witlow Gordon, is
the best of all Michigan bands right now. Random tape loops and
samples glide gracefully through a serene swirl of delicate acoustic guitar
strum and sumptuous keyboard; Hoof, a subtle concept album of
sorts, also features the finest use of the digital delay pedal this year.
Gordon's Dean Wareham-esque vocals emotively deliver lyrics laden with
rich imagery, expressing the undeniable and universal effect that
dreams and memory play in every moment of our lives.