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Jazz of the '00s: Jumping Past the Great Divide
The jazz of the '00s jumped past the great divide of earlier years, obliterating the distinction between tradition and avant-garde, jazz and pop, letting the genre blossom. [22.Sep.14]
PopMatters Picks the Best Music of the '00s
By PopMatters Staff
With almost five years of hindsight, PopMatters' take on the Best of the '00's reveals that while some albums do outlive their hype, just as many—if not more—change upon reflection. [22.Sep.14]
Alt-J: This Is All Yours
The contradiction of all second records but especially this one: Be what people expect when people want something unexpected. [22.Sep.14]
Robert Plant: Lullaby and... the Ceaseless Roar
You have to respect Robert Plant's desire to take the crowd-pleasing, Grammy-approved formula of his last few records into wilder, hazier places. But the results don’t always reach their intended target. [22.Sep.14]
Counterbalance: Paul McCartney's 'Ram'
This week's Counterbalance takes on the 1,377th most acclaimed album of all time, Paul and Linda McCartney's 1971 joint effort. Have another look, have a cup of tea and a butter pie. (The butter wouldn't melt so we put it in a pie.) [19.Sep.14]
Reviews
MonFriThuWedTue
Classic L.A. punk album back on vinyl for the first time in 30 years.
Prior to Please, it was fair to say that Sondre Lerche could make a great record. With Please, however, he's one-upped himself and made a masterpiece.
Primitive and Deadly may be the dawning of another new era for the Seattle legends.
Possibly the mother of all box sets, Nils Lofgren’s Face the Music contains 169 tracks, 20 video clips, and a 136-page book, covering a big talent’s long career.
Ballet School is an indelible entry into the synth pop genre, and are at least taking the approach somewhat differently by using guitars.
Ann Hampton Callaway covers the late, great Sarah Vaughan incredibly on From Sassy to Divine.
Queens' militant pedagogue teams up with one of London's weirder producers.
DFA greats the Juan MacLean sound out of their element on their new album, a collection of stripped down pop and '70s rock-flavored electro.
For all his worry over moving around, Spencer Krug's latest Moonface release makes it clear that behind the piano Krug sounds at home, rooted, in a place he's been found and a place he belongs.
A group of metal guys take a break and form an '80s-style hardcore band. A good time is had by all.
The third release from a free jazz cooperative piano trio featuring Craig Taborn, Gerald Cleaver and William Parker
On Atlantic, redemption awaits in the cleansing waters of the river, if not in the chorus of the songs or the hallowed memory of Robert Johnson that Ben Glover invokes.
If you happen to be in the market for a new, hyper-hip iteration of slow-burning electronica, then Jillian Banks is your girl.
On his third release as GRMLN, Yoodoo Park expands and explores pop-punk's roots.
Between Colours reaches for the sun and the stars, not to mention the backs of the bleachers.
Sarah Jaffe speaks volumes while singing very little on Don't Disconnect's futuristic indictment against modernity.
Similar to albums by Kilgour's band the Clean, End Times Undone feels longer than it is, in a good way.
New Orleans musicians rarely disappoint. They come from a world where music is practically akin to religion, and they always seem to know how to rise to the occasion.
Die Antwoord have described their work as "exaggerated experience", and that's apt. Anger, lust, passion, violence - all things through the lens of Die Antwoord become amplified to the point of deafening.
Ten years on, Death from Above 1979 kicks just as much ass.
By time a song ends, one has undergone the journey from ignorance to familiarity accompanied by a sense of Déjà vu as if one already knew what one never has known.
Classic Zeus is sturdy and stormproof, and has enough memorable hooky hooks to make your head spin.
Not all the guest artists fit, and sometimes the connection to Satchmo seems tenuous indeed. But when it works, as it mostly does, the album delivers much pleasure and pleasant surprises.
The Flaming Lips' Wayne Coyne and Steven Drozd's new project is a solid attempt at arty prog-rock, but in the end, they just can't shake sounding like the Flaming Lips.
Capsule Reviews
Events
New Orleans musicians rarely disappoint. They come from a world where music is practically akin to religion, and they always seem to know how to rise to the occasion. [17.Sep.14]
Mixed Media
News
By Mikael Wood
On Feb. 10, 2013, Kimbra walked onto the Staples Center stage and accepted a Grammy Award from Prince, who added his own… [26.Aug.14]
Features
The jazz of the '00s jumped past the great divide of earlier years, obliterating the distinction between tradition and avant-garde, jazz and pop, letting the genre blossom. [21.Sep.14]
By PopMatters Staff
With almost five years of hindsight, PopMatters' take on the Best of the '00's reveals that while some albums do outlive their hype, just as many—if not more—change upon reflection. [21.Sep.14]
Columns
The Amazing Pudding
Love them or loathe them, Emerson, Lake & Palmer wore immoderation like a badge of courage. [18.Sep.14]
Sound Souvenirs
Have listeners of the Danish ambient electronic outfit, Croatian Amor, given more of themselves than the musician ever would? [16.Sep.14]
From The Blogs
This week's Counterbalance takes on the 1,377th most acclaimed album of all time, Paul and Linda McCartney's 1971 joint effort. Have another look, have a cup of tea and a butter pie. (The butter wouldn't melt so we put it in a pie.) [19.Sep.14]
DVD Reviews
If you've never been a Devo fan, this DVD will give you all the reason you need to remedy the situation. [09.Sep.14]
The Past Is a Grotesque Animal takes a compelling, 20-year long story, and zips far too quickly through it. [04.Sep.14]
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