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Music
Sam Cooke's Tennessee Waltz: A Cultural Geography
By Carrie Allen Tipton
With his rendition of "Tennessee Waltz" for his 1964 Copacabana shows, Sam Cooke proceeded to do the impossible: he made the waltz swing. [15.Apr.14]
In Defense Of ... Jesse Winchester
With the news that the singer-songwriter has passed, it's time to look back on someone Bob Dylan once dubbed 'The Greatest Living Songwriter'. [15.Apr.14]
The Both: The Both
Aimee Mann and Ted Leo are a perfect pairing on their new band's immensely likeable debut. [15.Apr.14]
Carlene Carter: Carter Girl
Carter Girl, plus family and friends, delivers a rousing tribute to personal and family history. [15.Apr.14]
Rock the Cashbox: The Great Rock n Roll Sellout
By Jim Yoakum
How you can’t sell your soul to rock ‘n’ roll because it has already sold its soul... There once was a time during the new Age of Aquarius when the length of someone’s hair meant more than the balance in their bank account. [14.Apr.14]
Reviews
TueMonFriThuWed
Aimee Mann and Ted Leo are a perfect pairing on their new band's immensely likeable debut.
Carter Girl, plus family and friends, delivers a rousing tribute to personal and family history.
With Midnight Features Vol. 1: Shower Scene, the sample-heavy duo of Lilacs and Champagne prove that their one-of-a-kind sonic can function beyond the realms of the recording studio.
If this is what a Mudhoney shows sounds like these days, then I say hooray for longevity.
Nearly four decades into their career, these veteran garage-rockers haven't lost their knack for creating catchy and infectious tunes.
Los Lonely Boys deliver some of their best work, exhibiting exceptional musicianship on the eclectic yet consistent Revelation.
Greg Dulli, John Curley, and some other guys they're calling the Afghan Whigs channel the rock, soul, and dark undertones of the band's classic work on an excellent quasi-reunion album
Madlib and Freddie Gibbs drop one of the best hip-hop albums in recent memory.
This 12-song, 11-minute album from 2013, now reissued by Slumberland Records, is a quick blast of power-pop in which brief songs becomes representative but not reflective. They twist or deny our expectations, and are all the stronger for that denial.
Cynic makes technical, progressive sounding music sound fun and emotional. These guys are masterful technical musicians, but more importantly, they are great song writers.
A Scattering Time plays like an emblem of a different era because it is an emblem of no era, a haunting and formless musical work full of pitch-dark textural turns, proggy rhythmic tremors, and a wailing vocal thrust.
The "power jazz" trio reinvents Stravinsky's avant-garde classic in a wholly new way. And darn if it doesn't sound fresh!
Love and Hate offers songs that are mature, but not aged, worldly, but not cynical, in a soundscape that flows with no forcing and no faltering.
This merger of two industrial pioneers can be impressive, but never quite matches the original versions.
Some questionable choices, but otherwise a good place to start in the man's discography.
Wild Moccasins spend half of their debut slavishly recreating early '80s pop, but don't really come to life until they stop doing that later in the album.
The final recording of a collaborative trilogy, Abraçaço sees the seemingly ageless septuagenarian inventively fusing the Tropicália style with an indie pop sensibility.
No longer an event, a new record from this hardcore revival act won’t turn the tide for punk rock. While the rest of the band bashes away, veteran Keith Morris prattles on about what we already know.
The third album from the Austin-based indie rock band peels back the layers of reverb that colored their first two albums. What's underneath is, sadly, all too conventional.
Inventions places Eluvium’s lush, electronic ambience alongside Explosions in the Sky’s sense of space and tension.
The American singer learns Portuguese and does a full disc of bossa nova music.
Doom Abuse may not measure up to the Faint's greatest moments or delve into new terrain, but if they're goal was to have fun and make a good record, then mission accomplished.
Having remixed great disco tracks and modern day indie floor-fillers for years (hi Hot Chip!), Terje finally breaks out on his own, ready to rock your yacht were it not for some of his more meandering passages.
Herzig's two-sided emotional and musical walls create an unceasing friction that is, at once, confrontational and cathartic.
Happiness lurks in his purposely sad songs, while pain and confusion live within his meaning-to-be-happy songs.
The guitarist expands his all-star group to add more texture and sound.
Capsule Reviews
Another Generation of Slaves is an overall solid album, a thematic set that glides bittersweetly over you and makes sure to catch you with a barb every once in a while. [14.Apr.14]
Events
Mixed Media
Features
By Carrie Allen Tipton
With his rendition of "Tennessee Waltz" for his 1964 Copacabana shows, Sam Cooke proceeded to do the impossible: he made the waltz swing. [14.Apr.14]
By Jim Yoakum
How you can’t sell your soul to rock ‘n’ roll because it has already sold its soul... There once was a time during the new Age of Aquarius when the length of someone’s hair meant more than the balance in their bank account. [13.Apr.14]
Columns
In Defense Of…
With the news that the singer-songwriter has passed, it's time to look back on someone Bob Dylan once dubbed 'The Greatest Living Songwriter'. [14.Apr.14]
Ties That Bind
There are times when you hear Kurt Cobain sing that you believe no other voice has ever told the truth about suffering. But it's more complicated than that, isn't it? [06.Apr.14]
From The Blogs
With the second track of The Beach Boys Today!, we get a solidly written song reminiscent of the group's earlier singles: sophisticated but digestible and fun. [14.Apr.14]
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