Civilization
Fatboy Slim and Christopher Walken. The two belong
together as much as chocolate milk and olive oil.
After all, Fatboy is one of Britain's top dance
mixmasters and Walken is one of Hollywood's leading
middle-aged bad boys. A collaboration between them
seems as
plausible as Laura Bush gyrating her way into a
Britney Spears video. And yet, for Fatboy's "Weapon of
Choice," they work together to create one of the
year's freshest and most intriguing videos.
It is also one of the most unadorned videos in recent
years, avoiding flashy sets and costumes, multiple
storylines, and images of coifed and manicured
musicians. A man dancing, that's all it is. As the
video opens, we see a rather dejected businessman
(Walken) sitting in a plush, yet lifeless, hotel
lobby, reading a magazine. "Weapon of Choice," the
latest cut from Fatboy Slim's CD Halfway Between the
Gutter and the Stars, begins to fade in, and the man
stands, jerks to his left with his entire body, and
begins to dance around the lobby. It is a fantasy many
of us have had, and some have fulfilled, to dance with
abandon in an environment that screams for "civilized
behavior." The man jumps on the furniture, kicking
magazines across the room and dancing in a style
that's an amalgamation of Twyla Tharp and the Nicholas
Brothers. Eventually, he dances his way over to an
elevator, rides up to the second floor, exits the
elevator and immediately dives off the balcony,
soaring through the lobby a la Peter Pan. After
bouncing off the balcony walls and taking a few laps
around, he pauses mid-air, in a Christ-like pose in
front a large nature painting. Finally, he floats back
to the ground, and as the music fades, returns to his
seat and resumes his reading.
The simplicity of the concept, the fulfillment of the
fantasy to lose control when you really need to
relieve some of the tension in your life, is made more
interesting by the casting of Walken as the
businessman. The Oscar-winning actor is more known for
his portrayals of corrupt men than for downhearted
individuals, much less gravity-defying dancers. It
violates our expectations to see the gloomy actor
bounding across the screen, and so emphasizes the
video's theme of unexpected behavior, causing the
viewer to get caught up in the scene, captivated by
the wonder of it. But if the choice of Walken is
unexpected, it is not without justification. Like
legendary actor Jimmy Cagney, Walken began his career
as a "hoofer" before finding his niche as a Hollywood
"tough guy." Film buffs and Walken fans will remember
a little-seen 1981 film, Pennies From Heaven, in
which the actor performs a searing, seductive dance,
on top of a bar. His body is a little heavier and his
joints seem a little stiffer now, but Walken can still
move well, and his dancing ability will probably be
what gets people talking about this video.
It might also be surprising that Walken is 58 years
old (although he doesn't look it here). Fatboy and
director Spike Jonze didn't choose to cast the usual
attractive dancers, thrashing ravers, or even a young
Hollywood bad boy. The fact that they chose a
middle-aged man highlights the unexpected nature of
his behavior, and underlines the timelessness of
heart-felt dance. We may chuckle at the old man
shaking it, but, secretly, we wish to be that lively
and still able to "bump and grind" when we are his
age. "Weapon of Choice" lets us know that the ability
to join in the celebration of life exists at any age.
All we have to do is get out of our chairs.
Naturally, any good dance number demands good dance
music, and Fatboy Slim (a.k.a. Norman Cook) provides
that. I wasn't familiar with his work before this
video; having gotten heavier and stiffer myself, my
knowledge of dance mavericks has waned in previous
years. But if this selection is any indication of
Fatboy's body of work, then there is good reason for
his popularity. His collaboration on the song with
"Bootsy" Collins of Funkadelic almost insures that it
will be a hot composition. The track is layered with a
combination of techno beats, but like any good dance
tune, the beats here don't consume the song so that
all the listener can hear is a pulsing tempo. They're
interwoven with the vocals and other instrumentation.
To be honest, I couldn't understand a word of the
lyrics and can't seem to find a copy of them, so I
have no idea whether they address the theme of the
video, or, as is the case in many dance numbers ("Who
Let the Dogs Out", "Don't Want No Short, Short Man,"
etc.), they are secondary to the mix. Regardless, the
overall combination of music and choreography is
enough to make this video worth watching. As a
testament of the quality of the video, "Weapon of
Choice" has been chosen as one of MTV's Buzzworthy
Clips, and has been featured on such diverse stations
as CNN and WTBS.
Most viewers might focus their attention on the
partnership of Walken and Fatboy in the video, but it
is director Spike Jonze who deserves much of the
credit for it. Jonze is no stranger to the video
format, having directed such critically acclaimed
videos as the Beastie Boys' "Sabotage," Bjork's "It's
Oh So Quiet," and one of Fatboy Slim's previous
videos, "Praise You." Jonze further displayed his
directorial skills in his feature film debut, Being
John Malkovich, and his style for "Weapon of Choice"
most closely resembles his work in that film. The low
angle shots and dark lightning are reminiscent of the
mood Jonze set in BJM, perhaps because we identify
this businessman as an ordinary man in an unusual
circumstance in the same way viewers did John Cusack's
puppeteer in BJM.
Ironically, this song was not Fatboy's choice for the
latest single off Halfway Between the Gutter and the
Stars to be released in the U.S. But the song he
wanted to release included too many repetitions of the
word "fuck" to get any airplay in the States, so the
artist agreed to release "Weapon of Choice" only in
the U.S. Consequently, overseas audiences won't get to
enjoy this video, and it is their loss. It's been a
long time since I saw a video that made me stop and
look hard. Most music videos of late are overproduced,
slick, and high tech, showing us the same perfect
faces and dances and street scenes in a blur of
fast-paced images. Fatboy, Jonze, and Walken stand out
because they seem to say to us, "Slow down for 3
minutes of your life and pay attention to this man. He
deserves that." So do that: slow down and pay
attention. Who knows, it might make you dance.