Iain Ellis

About Iain Ellis

Born in Manchester and raised east of London, Iain Ellis spent his formative years playing, performing, and consuming a heavy diet of punk rock music and football.  In 1986, the young man went west to find his dreams in Bowling Green, Ohio.  Instead, he picked up a PhD in American Culture Studies, writing his dissertation on 1980s American Punk Culture.  In 2000, he traveled further west, settling in Lawrence, Kansas, where he currently teaches English and Youth Culture Studies at the University of Kansas. You may also enjoy his book, Rebels Wit Attitude: Subversive Rock Humorists.

Features

Rebels Wit Attitude: Nirvana

In this excerpt from PopMatters' new book Rebels Wit Attitude, Iain Ellis discusses how Nirvana were a rocking perfect storm of punk’s attitude, metal’s riffs, and pop hooks. [11 January 2009]

Rebels Wit Attitude: Beastie Boys

In this excerpt of PopMatters' new book Rebels Wit Attitude, Ellis discusses how Beastie Boys were not afraid to play the enemy within, often mocking the macho strutting of harder rappers. [14 December 2008]

Rebels Wit Attitude: Talking Heads

In this excerpt from PopMatters' new book Rebels Wit Attitude, Ellis looks at the Talking Heads' art school intellectualism, pop melodies, funk rhythms, and the abstract humor that made them outsiders. [7 December 2008]

Columns

On the Sixth Day God Created Man…Chester: Part Three

Manchester's working class population showed the world that trade unions can resist authority. Such solidarity and class consciousness is heard in the arrogant sneers of the Stone Roses and Oasis. [2 October 2009]

On the Sixth Day God Created Man…chester: Part 2

Punk-influenced performance poetry now thrives on both sides of the Atlantic, as open mics and poetry slams draw new generations of writers with combative tones, satirical perspectives, and rock-inspired rhythms in their lines. [7 August 2009]

On the Sixth Day God Created Man…chester: Part 1

Boasting a plethora of bands whose creative imaginations have invariably left legacies of influence, pound-for-pound Manchester is the world’s greatest rock city. [12 June 2009]

Art Brut(ally) Funny

Holden Caulfield -- with his sexual insecurities and confused immaturity -- provides the raw meat that Art Brut’s Eddie Argos cooks with. [3 April 2009]

Laughing Through the Tears: The Enduring Journey of Etta James

As much as Etta James used her songwriting and vocal skills as primary sources for empowerment and critique, her performances and image were equally significant in reflecting a public persona bursting with wit, wildness, and sassy radicalism. [12 February 2009]

Life After ABBA: Post-Ironic Swedish Rock

Welcome to the age of post-irony, where guilty pains and pleasures are played out as collective nostalgia through the warped blur of rose-tinted glasses. [5 December 2008]

Answers and Answers: The Roxanne and Annie Sagas

Hank Ballard and the Midnighters' saucy provocations of the 1950s caused a stir that would resonate with responses throughout the formative years of rock 'n' roll. [6 October 2008]

Esquerita: The Other Originator of Rock ‘n’ Roll Camp

This ultimate "odd man out" -- homosexual, black, bizarre-looking, crazy-behaving, and even crazier-playing rocker -- was pushed into the shadows beyond the bright lights of Little Richard. [1 August 2008]

Dead But Not Buried or, When the ‘90s Took a ‘60s Turn

The post-Dead and post-Zappa bands of the '90s sought to subvert the prevailing trends towards crass commercialism, individual greed, and phony superficiality. [23 May 2008]

Gene Vincent:  A Caricature Portrait of the Artist as Rebel Rocker

Nostalgic craving for the iconic Gene gene still burns bright, as look-alikes (young and old) exaggeratedly hiccup their way through “Be-Bop-a-Lula”. [28 March 2008]

The ‘Dewussification’ of Texas

The Texas Jewboys' fan base mutated into a hodge-podge collection of unconventional mavericks, spanning Hells Angels bikers, hardened hippies, and down-to-earth country folk. [25 January 2008]

George Formby: Tangled in the Roots of British Rock Humor

Full of cheeky wordplay and double entendres, Formby continually tweaked the sensibilities of the staunchly conservative British establishment with saucy narratives that left little to the imagination. [30 November 2007]

The Affectionate Parodies and Ironic Diss-Positions of Ween

Shock-humor abounds across Ween’s work, and dumb infantilism is worn as a badge of honor. [1 October 2007]

Rap’s Righteous Rhyme-Fighter

If Raymond 'Boots' Riley -- frontman for Oakland, California's the Coup -- is rap's most political practitioner, he may well also be one of its most expressive humorists. [11 May 2007]

The Rudest, Crudest, Lewdest, Drunkest Band in Christendom

Extreme was the nature of the Macc Lads' music, as was the nature of reactions to it. Within their deftly created insular world, traits of civility, sensitivity, and compromise were anathemas. Therein lay the foundation of their punk-inspired wit. [15 March 2007]

Hit Me With Your Rhythm Shtick:  The Life and Rhymes of Ian Dury

Ian Dury's subversive humor gently ribbed the eccentrics within his own class-culture. His caricatures were vicarious self-parodies, pre-emptive strikes fending off a dominant middle-class inclined to more demeaning and patronizing portraits of its "inferiors". [11 January 2007]

From the Mop-Top to the Walrus: Some Funny Sides of the Beatles

Manifested in child-centered humor, the Beatles offered candy for the kids, tapped into the regressive escapist instincts of the arrested adolescents of the hippy subculture, and offered "seemingly" unthreatening fare for adults. [3 November 2006]

Bubblegum Pops the (Counter-)Culture

Fake and faceless, bubblegum pop in the late '60s and early '70s offended the prevailing rock myths of artistic creativity and rugged opposition to the powers-that-be. [25 August 2006]

Lonnie Donegan and the Birth of British Rock

As skiffle's working-class trailblazer, Lonnie Donegan infused '50s British rock 'n' roll with a regional accent and music-hall comedy style missing from the popular American exports. [11 May 2006]

The Redcoats Are Coming!  The British Invasion of SXSW ‘06

Ellis spends four days in Austin looking for the finest exports from Tony Blair's Cool Britannia. In lieu of monkeys, magic numbers, and Moz, his search yields Casio-pop, California harmonies, and communal sing-along epics. [27 March 2006]

Wild Wanda Jackson

The self-described 'Fujiyama Mama' of '50s rockabilly was a hard-headed, bare-knuckled antithesis to the era's prevailing gender expectations. [17 February 2006]

Chuck Berry: A-Merry-Can Rebel

Hail! Hail! One of rock 'n' roll's most innovative mavericks whose dissenting rebellion was fueled by subversive humor. [13 January 2006]

Cab Calloway: Original Rapper

Rhythmic emphases, rhyme infatuations, celebrations of decadence, slang, bling, and an overall manifestation of cool: Cab Calloway was hip-hop's preeminent godfather. [18 November 2005]

Laughin’ Louis Armstrong: The Trickster

Satchmo's subversive humor struck multiple targets simultaneously: it commented on the very music he was transforming; and, as a survival tool, it presented a league of oppressors with unexpected resistance. [13 October 2005]

Messin’ With Texas: Some Sights and Sounds from SXSW

As the final day unfolded, things grew more hazy as the rush to consume all one could in the final hours was not limited to the music. [30 March 2005]

Mike Skinner’s Blues:  Traversing The Streets of Anglo-America

Noticeably absent from Streets stories are the guns, bling, fast cars and ho's that so many American rappers invoke to establish their credentials. Where U.S. rappers emulate the fast-paced content of American action films, The Streets is more in tune with the Mike Leigh sensibility in his scenes of working class desperation and blank nothingness. [9 March 2005]

Growing Up With John Peel:  A Memoir

In John Peel I know that I (and many others) found a voice that championed the cultural margins and artistic mavericks; this voice, in turn, fostered a receptive sensibility with which to open-mindedly and open-heartedly appreciate marginal artists. [29 December 2004]

Send in the Clowns:  Subversive Rock Humorists

From Chuck Berry to Eminem, I hope these 10 disparate acts suggest that the need for subversive humor has never been greater, and that rock needs to react with its own insurgence: re-arming, re-loading, and then sending in the clowns. [10 November 2004]

Influential Alternative Record Labels: Bloodshot Records and the New Traditionalism

Like a latter-day Alan Ladd as Shane, Chicago-based independent label, Bloodshot Records, has taken upon itself the role of savior of the sagebrush, mixing it up in the robber-baron world of corporate Country. [13 October 2004]

G.B.V—R.I.P:  For the Love of Rock

Our newest music columnist pays tribute to dearly departed Guided By Voices and remembers their 20-year career as indie legends. [15 September 2004]